Under popular culture's obsession with a naive inclusion, everything is O.K.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

The high point of civilization is that you can hate me and I can hate you but we develop an etiquette that allows us to deal with each other because if we acted solely upon our impulse we'd probably go to war.

What we need in America is a renaissance. We need to go forward by going backward.

I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.

Getting to the pint where the other is not the enemy is a big leap.

If there's an intellectual highway, there's also an intellectual subway.

Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.

I don't know any women who don't think about what they look like, and I don't know any men who don't think about what women look like.

But the myth of violent solutions as the ultimate solutions maintains itself in much of popular media.

As you know from reading many of these Negro writers, we don't deal too much with the discussion of democracy and what it means and how improvisation fits in all that.

The discussion of ideas as opposed to the American narcissistic obsession with what's going on with the self, that's the general thing people are talking about.

Rap actually comes out of punk rock, not black music.

Our democratic richness arrives when we're able to comprehend our collective humanity accurately.

People don't really think other people are the same.

You can meet a young person who goes to school and is really enthusiastic, but if a sufficiently strong personality convinces them that this is a waste of time, that person might flunk out.

Unfortunately, I'm not a person that's always capable of living up to the Boy Scout philosophy.

Louis Armstrong, who learned to be in exquisite dress, came from the bottom, and he's not a trash can.

You'd never know that listening to people in the UN but tribalism is the father of racism.

When people conclude that all is futile, then the absurd becomes the norm.

When you're artistic director of a program, you present the music you want to present.

Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written.

All of us are made up of the stories that we listen to, the ones we disagree with and the ones that we agree with.

Big business, for all its lobbying, is often put in line by investigative reporting, public scandals and multi-million-dollar judgments in court against those who put products on the market that are dangerous to their buyers.

Popular culture tells you that schools and parents don't know what's going on, the police are dogs, politicians are all liars and scum, and any crime that's not committed by the Mafia is done by the CIA.

Under popular culture's obsession with a naive inclusion, everything is O.K.

When a violent minority that crosses color lines comes to believe that killing those you know or do not know is a reasonable solution to problems, we are in need of another vision.

Everybody has to be reminded that there's another way to be. Another more mysterious, unpredictable way to be that's not necessarily based upon contrivances.

I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.

Our society has gotten to the point where we might soon become less and less shocked by any kind of violence.

In America, we have to learn to be patient enough to figure out what somebody is saying. Somebody might actually be saying something.

The grand irony, however, is that Southern segregation was not brought to an end, nor redneck violence dramatically reduced, by violence.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.