When you're artistic director of a program, you present the music you want to present.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

The high point of civilization is that you can hate me and I can hate you but we develop an etiquette that allows us to deal with each other because if we acted solely upon our impulse we'd probably go to war.

What we need in America is a renaissance. We need to go forward by going backward.

I wanted to get to that aesthetic proposition that comes out of learning the human elements of a world, so that those notes and rhythms mean something to you besides just the academic way in which they fall in place.

Getting to the pint where the other is not the enemy is a big leap.

If there's an intellectual highway, there's also an intellectual subway.

Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.

I don't know any women who don't think about what they look like, and I don't know any men who don't think about what women look like.

But the myth of violent solutions as the ultimate solutions maintains itself in much of popular media.

As you know from reading many of these Negro writers, we don't deal too much with the discussion of democracy and what it means and how improvisation fits in all that.

The discussion of ideas as opposed to the American narcissistic obsession with what's going on with the self, that's the general thing people are talking about.

Rap actually comes out of punk rock, not black music.

Our democratic richness arrives when we're able to comprehend our collective humanity accurately.

People don't really think other people are the same.

You can meet a young person who goes to school and is really enthusiastic, but if a sufficiently strong personality convinces them that this is a waste of time, that person might flunk out.

Unfortunately, I'm not a person that's always capable of living up to the Boy Scout philosophy.

Louis Armstrong, who learned to be in exquisite dress, came from the bottom, and he's not a trash can.

You'd never know that listening to people in the UN but tribalism is the father of racism.

When people conclude that all is futile, then the absurd becomes the norm.

When you're artistic director of a program, you present the music you want to present.

Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written.

All of us are made up of the stories that we listen to, the ones we disagree with and the ones that we agree with.

Big business, for all its lobbying, is often put in line by investigative reporting, public scandals and multi-million-dollar judgments in court against those who put products on the market that are dangerous to their buyers.

Popular culture tells you that schools and parents don't know what's going on, the police are dogs, politicians are all liars and scum, and any crime that's not committed by the Mafia is done by the CIA.

Under popular culture's obsession with a naive inclusion, everything is O.K.

When a violent minority that crosses color lines comes to believe that killing those you know or do not know is a reasonable solution to problems, we are in need of another vision.

Everybody has to be reminded that there's another way to be. Another more mysterious, unpredictable way to be that's not necessarily based upon contrivances.

I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.

Our society has gotten to the point where we might soon become less and less shocked by any kind of violence.

In America, we have to learn to be patient enough to figure out what somebody is saying. Somebody might actually be saying something.

The grand irony, however, is that Southern segregation was not brought to an end, nor redneck violence dramatically reduced, by violence.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.