Imagery is like music.

Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.

I think the best work flows out of a collaborative environment.

Film provides an opportunity to marry the power of ideas with the power of images.

Vivid images are like a beautiful melody that speaks to you on an emotional level. It bypasses your logic centers and even your intellect and goes to a different part of the brain.

Being a good television screenwriter requires an understanding of the way film accelerates the communication of words.

You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.

Casting is sort of like looking at paintings. You don't know what you'll like, but you recognize it when you see it.

Imagery is like music.

One of the problems of writing is that anyone who commits themselves to that process has to believe that they're good.

Hill Street Blues gave me an opportunity to work with an ensemble cast of people whose work I admired.

'Hill Street,' because of the wacky nature of many of our characters, really allowed us to indulge a kind of cheek-to-jowl juxtaposition of high drama with very low humor.

Cop shows are by definition melodramatic; they're larger than life. They create very stark contrasts and conflicts emotionally. They're provocative, assuming they grapple with - to the extent that cop shows are mirrors of the culture.

I remember practically every joke I've ever heard in my life.

I tend not to spend a lot of time looking in the rearview mirror. If you say, 'Oh, I did 'Hill Street Blues' or 'L.A. Law' and everything I do has to measure up to some preconceived notion of that,' it would paralyze you.

I'd always thought that 'NYPD Blue' really would open those doors. While I think it created a much broader template for cable, I don't think it really did that much for network television.

Privately, we always called 'Hill Street' 'Cop Soap.'

Television and film are such streamlined story mediums. You can't really meander about, whereas a novel is an interior experience.

The entertainment world, television, movies, social media, YouTube stuff, we're so bombarded with so much imagery and such a great sense of inhumanity, and there is a coarseness, a coarsening of interaction.

The thing that always interests me from a storytelling point of view is how that moment of trauma, whatever the trauma is, even divorce, your dog dies, whatever it is, the consequence, in terms of people's emotional lives and the way it resonates behaviorally for a long time, is really the stuff that interests me.

When it is perceived that a show has gone awry, the pressure is staggering, and as a writer caught in that storm, it feels like you are being attacked by jackals.

When you look at Mark Zuckerberg and Snapchat and all these twentysomething billionaires, it's really kind of fascinating; a classic tale of the haves and have-nots.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

We used to listen to all the marvelous operas on records. Music was a very important part of our lives.

Drums just always sounded like the most fun part of that good music for me.