I've never intended to be controversial but it's very easy to be controversial in pop music because nobody ever is.

My parents were worried about me, certainly when I became so deeply interested in music and people like the New York Dolls who, at the time, were very peculiar indeed.

Not everybody is absolutely stupid. Why on earth would I be racist, what would I be trying to achieve?

You have to, at least from a distance, look as if you know what you're doing, and I can manage that.

That was the problem with the 'celibate' word because they don't consider for a moment that you'd rather not be, but you just are. I was never a sexual person.

Artists aren't really people. And I'm actually 40 per cent papier mache.

When I'm lying in my bed I think about life and I think about death and neither one particularly appeals to me.

Age shouldn't affect you. It's just like the size of your shoes - they don't determine how you live your life! You're either marvellous or you're boring, regardless of your age.

I normally live in Los Angeles, if you can call it normal living.

The Smiths was an incredibly personal thing to me. It was like launching your own diary to music.

I do think it's possible to go through life and never fall in love, or find someone who loves you.

I've never intended to be controversial but it's very easy to be controversial in pop music because nobody ever is.

Age gives you a great sense of proportion. You can be very hard on yourself when you're younger but now I just think 'well everybody's absolutely mad and I'm doing quite well'.

That's why I do this music business thing, it's communication with people without having the extreme inconvenience of actually phoning anybody up.

Long hair is an unpardonable offense which should be punishable by death.

The fascinating thing about human beings is that they dont last and everything eventuates and everything is very very brief. And even if you do manage to look reasonably well as you age unfortunately you are attacked at every level by illness and so forth. Its a fact of life.

Why pamper life’s complexities when the leather runs smooth on the passenger seat?

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

We used to listen to all the marvelous operas on records. Music was a very important part of our lives.

Drums just always sounded like the most fun part of that good music for me.

Record covers helped me discover a lot of music that I wasn't aware of.

It was very interesting for me because DNA made music without much technical knowledge at all.

So it was out of necessity that Blackheart was born. I think it's great that now, 25 years later, we're not only putting out our own music, but are able to put out music by other bands. That's really exciting for us.

Instrumental music is increasingly marginalized and there's just no outlet, there's no venue for it, in terms of media.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.