And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.

I really believe you can predict when someone has a great attitude, a real well of talent.

I feel very comfortable shooting music, and I think you can see that.

The SAS is the most elite of the special forces in the world. They are not people who go out and advertise; they keep it inside. They don't want anybody to know about them.

You'd be surprised how many movie stars still care about the work.

It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.

I make films about working class people.

But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.

It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.

I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

We all get paid very, very well, and we have responsibilities.

If people are worried about the size of their trailers, I kind of say their priorities are off.

I try to get the best performance an actor can give.

An actor has to embody a role.

This devil loves mankind because men are going to always make the choice that will send him into ascendancy. He's been winning the game for a long time.

Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.

And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.

But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.

It's much easier to work with an unknown.

Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.

Well I don't think I've scored my life exclusively to Ray Charles.

The whole concept of the devil is a metaphor on one level.

It was the era of Tab Hunter and Rock Hudson; they all had a certain look.

Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.

Show business is one of those things that people can use to get themselves out of the lower rung of society.

My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.

When I finish a film, I put it away and I never look at it again.

Music has always been an important thing to me in my life and understand I've worked in the music business.

But the process of making a film is not glamorous. Certainly not my films.

Because when you have millions of people with this kind of need for gratification, and the culture is saying that it's possible for everyone to satisfy all of their needs and desires all of the time, there are obviously going to be clashes - clashes of ego.

The director's job should give you a sense of music without drawing attention to itself.

I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.

Sexual self-restraint is only a preliminary stage in the ego's evolution.

It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music.

The ego constantly competes with the spirit for control over your inner voice.

Ego is to the true self what a flashlight is to a spotlight.

It's not about ego. Really. If it was ego, I'd be telling you about my awesome... oh, never mind.

I think any spiritual experience that's worthwhile is not about ego and it will humble you in some way. And also, a Zen monk once said to me, 'If you're not laughing, then you're not getting it.'

I like the moment when I break a man's ego.

It was important to have a similar energy in my performance. To make the character too different would have just been about my ego because it didn't need to be drastically different.

Every normal person, in fact, is only normal on the average. His ego approximates to that of the psychotic in some part or other and to a greater or lesser extent.

The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture.

I think one of the interesting things about poker is that once you let your ego in, you're done for.

I think anybody would have to be with out common sense to think there weren't aliens. There are billions of planets, and I am convinced Earth is not the only one that's inhabited. It would be quite an ego trip to think that. I think about it all the time.

Where id was, there ego shall be.

I have no ego investment in being on the air. I don't knock others for whom that kind of attention is like oxygen, but I don't miss anything about it.

It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.

If you're working out in front of a mirror and watching your muscles grow, your ego has reached a point where it is now eating itself. That's why I believe there should be a psychiatrist at every health club, so that when they see you doing this, they will take you away for a little chat.

Fabio kept asking me out, but I knew we'd never get his ego through the door.