I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

I really believe you can predict when someone has a great attitude, a real well of talent.

I feel very comfortable shooting music, and I think you can see that.

The SAS is the most elite of the special forces in the world. They are not people who go out and advertise; they keep it inside. They don't want anybody to know about them.

You'd be surprised how many movie stars still care about the work.

It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.

I make films about working class people.

But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.

It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.

I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

We all get paid very, very well, and we have responsibilities.

If people are worried about the size of their trailers, I kind of say their priorities are off.

I try to get the best performance an actor can give.

An actor has to embody a role.

This devil loves mankind because men are going to always make the choice that will send him into ascendancy. He's been winning the game for a long time.

Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.

And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.

But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.

It's much easier to work with an unknown.

Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.

Well I don't think I've scored my life exclusively to Ray Charles.

The whole concept of the devil is a metaphor on one level.

It was the era of Tab Hunter and Rock Hudson; they all had a certain look.

Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.

Show business is one of those things that people can use to get themselves out of the lower rung of society.

My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.

When I finish a film, I put it away and I never look at it again.

Music has always been an important thing to me in my life and understand I've worked in the music business.

But the process of making a film is not glamorous. Certainly not my films.

Because when you have millions of people with this kind of need for gratification, and the culture is saying that it's possible for everyone to satisfy all of their needs and desires all of the time, there are obviously going to be clashes - clashes of ego.

The director's job should give you a sense of music without drawing attention to itself.

I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.

It's a really skewed part of our culture that happiness is the end-all be-all. The people that force themselves to be happy all the time often end up being the most broken.

We do not say: Being is, time is, but rather: there is Being and there is time.

In most countries, you have a monarch or some other principal person to whom its officers and its military swear their allegiance. Our officials in this country and our military swear allegiance to the Constitution. We say that when we say the Pledge of Allegiance to the Flag.

It's well-known that people don't respond to scarce resources necessarily in what we might consider a positive light.

Nonviolence is the greatest virtue, cowardice the greatest vice - nonviolence springs from love, cowardice from hate.

Somebody gets to be smart and somebody gets to be dumb. If we win, it'll be because of the president. And if we lose, it'll be because of me.

I went to the U.S. for business because I thought America is a big consuming country, although it's not an overconsuming country.

In a way Winter is the real Spring - the time when the inner things happen, the resurgence of nature.

The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.

African Americans have always known that a little bit of paranoia was healthy for us.

My cell phone is my best friend. It's my lifeline to the outside world.

Every reign must submit to a greater reign.

I think the editorial page of the Washington Post is the best in the country. I think the editorials - considering it's a liberal town, liberal constituency and from the liberal tradition - I think it's the best editorial page around. It's quite balanced.

While we can't begin to repay the debt we owe our veterans for their brave service, we can certainly take steps to ease the physical, psychological and financial hardships they may be experiencing.

To remove blood stains from your conscience try frozen margaritas.

When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.

Orphans are the only ones who get to choose their fathers, and they love them twice as much.