Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.

I really believe you can predict when someone has a great attitude, a real well of talent.

I feel very comfortable shooting music, and I think you can see that.

The SAS is the most elite of the special forces in the world. They are not people who go out and advertise; they keep it inside. They don't want anybody to know about them.

You'd be surprised how many movie stars still care about the work.

It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.

I make films about working class people.

But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.

It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.

I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

We all get paid very, very well, and we have responsibilities.

If people are worried about the size of their trailers, I kind of say their priorities are off.

I try to get the best performance an actor can give.

An actor has to embody a role.

This devil loves mankind because men are going to always make the choice that will send him into ascendancy. He's been winning the game for a long time.

Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.

And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.

But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.

It's much easier to work with an unknown.

Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.

Well I don't think I've scored my life exclusively to Ray Charles.

The whole concept of the devil is a metaphor on one level.

It was the era of Tab Hunter and Rock Hudson; they all had a certain look.

Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.

Show business is one of those things that people can use to get themselves out of the lower rung of society.

My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.

When I finish a film, I put it away and I never look at it again.

Music has always been an important thing to me in my life and understand I've worked in the music business.

But the process of making a film is not glamorous. Certainly not my films.

Because when you have millions of people with this kind of need for gratification, and the culture is saying that it's possible for everyone to satisfy all of their needs and desires all of the time, there are obviously going to be clashes - clashes of ego.

The director's job should give you a sense of music without drawing attention to itself.

I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.

Temptation is the devil looking through the keyhole. Yielding is opening the door and inviting him in.

As for the Devil - that is somebody our religion tried to do without for a long time.

People who cease to believe in God or goodness altogether still believe in the devil. I don't know why. No, I do indeed know why. Evil is always possible. And goodness is eternally difficult.

People have discovered that they can fool the devil; but they can't fool the neighbors.

If I'm alone too long I think too much, and I'm not interested in doing that. That won't lead anywhere good, I'm sure. If I'm busy I tend to stay out of trouble. An idle mind is the devil's playground.

It is so stupid of modern civilisation to have given up believing in the devil when he is the only explanation of it.

Laughter kills fear, and without fear there can be no faith. For without fear of the devil there is no need for God.

To light one candle to God and another to the Devil is the principle of wisdom.

So Ham's wife that was preserved on the Ark was a Negro of the seed of Cain and there was a priestly purpose in it, that the Devil would have a representation as well as God.

A dimple on the chin, the devil within.

You shall always find what you created in your mind, for instance, a benevolent God or an evil Devil. Between them are countless facets. Therefore, concentrate on the depth of your consciousness and on what you consider to be positive and good.

For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.

Memnoch the Devil happen to be my favorite of all The Vampire Chronicles.

The devil doesn't know how to sing, only how to howl.

I walked along that slippery slope where if you fail through lack of faith, you sell your soul to the devil.

So much of motion, is so much of life, and so much of joy, and to stand still, or get on but slowly, is death and the devil.

The devil can cite Scripture for his purpose.