I'm a better polemicist in prose.

I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.

The best thing about being a cartoonist is to walk into a bar or someone's apartment and they don't know you, but they've taped one of your pieces up.

Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.

When I put together a graphic novel, I don't think about literary prose. I think about storytelling.

But now that I'm cartooning full-time, I'm more of an observer. I'm talking to people who are experiencing these things. But it's not like being in the trenches.

Even though I'm a leftist. I think the left eats its own.

Most people don't know how to tell stories.

On the ground, Pakistan is the most virulently anti-American state on the planet.

I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful.

Comics are too big. You can't say any kind or genre of comics is better than another. You can say so subjectively. But to say it like it's objective is wrong. It's wrong morally, because it cuts out stuff that's good.

When you have birds you stare at them a lot and their eyes are recessed on their head. When they look at something they tilt their head in a quizzical expression.

The experts who managed the original Marshall Plan say Afghanistan needs a commitment of at least $5 to $10 billion over 5 to 10 years, coupled with occupation forces of 250,000 Allied soldiers to keep the peace throughout the country.

I don't think anyone has written a great graphic novel.

If I had to rank my skills, I have a long way to go before I can write a good graphic novel.

At this point, American workers are pretty respectful of the bosses they loathe.

Conservative humor is frankly harder than liberal humor. You get points for just being liberal. You can get more points if you make fun of your own side sometimes.

I think Dilbert is actually a radical strip.

When you do a cartoon based on news headlines, you do it based on incomplete information.

I think we're the first generation to successfully integrate American society.

Money stress is what used to remind me of my Dad most.

It's a perfectly valid position to not like Shakespeare.

I think jazz is good, but I don't enjoy it. It's not for me.

There was an honorable tradition of using anonymous sources that was ruined by Jayson Blair.

The first step to stringing the boss up from a lamppost is saying the boss is a moron.

I'm a better polemicist in prose.

Anyone should be able to read comics.

Orrin Hatch was the keynote speaker at the last meeting of the Association of American Editorial Cartoonists. He sought me out because he was a fan. I was thinking he had confused me with someone else.

Anyway, I tried liking Jimmy Corrigan but I couldn't.

I never consciously do any work directly influenced from any movie, unless I'm doing a parody.

Trying to rebuild Afghanistan on the cheap has left the country in the hands of warlords and an impotent Northern Alliance puppet regime that runs Kabul and nothing else.

Up until 1995, I still had a day job that I hated. I was still personally involved in things in the 90s.

The poetry from the eighteenth century was prose; the prose from the seventeenth century was poetry.

Poetry is fascinating. As soon as it begins the poetry has changed the thing into something extra, and somehow prose can go over into poetry.

Apart from a few simple principles, the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

Cliches and adjectives permeated my prose.

I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading.

Science and art, or by the same token, poetry and prose differ from one another like a journey and an excursion. The purpose of the journey is its goal, the purpose of an excursion is the process.

Poetry is a beautiful way of spoiling prose, and the laborious art of exchanging plain sense for harmony.

And what holds good of verse holds infinitely better in respect to prose.

What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose.

It was an instinct to put the world in order that powered her mending split infinitives and snipping off dangling participles, smoothing away the knots and bumps until the prose before her took on a sheen, like perfect caramel.

One merit of poetry few persons will deny: it says more and in fewer words than prose.

When I put together a graphic novel, I don't think about literary prose. I think about storytelling.

The poet gives us his essence, but prose takes the mold of the body and mind.

The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.

All those authors there, most of whom of course I've never met. That's the poetry side, that's the prose side, that's the fishing and miscellaneous behind me. You get an affection for books that you've enjoyed.