Money stress is what used to remind me of my Dad most.

I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.

The best thing about being a cartoonist is to walk into a bar or someone's apartment and they don't know you, but they've taped one of your pieces up.

Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.

When I put together a graphic novel, I don't think about literary prose. I think about storytelling.

But now that I'm cartooning full-time, I'm more of an observer. I'm talking to people who are experiencing these things. But it's not like being in the trenches.

Even though I'm a leftist. I think the left eats its own.

Most people don't know how to tell stories.

On the ground, Pakistan is the most virulently anti-American state on the planet.

I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful.

Comics are too big. You can't say any kind or genre of comics is better than another. You can say so subjectively. But to say it like it's objective is wrong. It's wrong morally, because it cuts out stuff that's good.

When you have birds you stare at them a lot and their eyes are recessed on their head. When they look at something they tilt their head in a quizzical expression.

The experts who managed the original Marshall Plan say Afghanistan needs a commitment of at least $5 to $10 billion over 5 to 10 years, coupled with occupation forces of 250,000 Allied soldiers to keep the peace throughout the country.

I don't think anyone has written a great graphic novel.

If I had to rank my skills, I have a long way to go before I can write a good graphic novel.

At this point, American workers are pretty respectful of the bosses they loathe.

Conservative humor is frankly harder than liberal humor. You get points for just being liberal. You can get more points if you make fun of your own side sometimes.

I think Dilbert is actually a radical strip.

When you do a cartoon based on news headlines, you do it based on incomplete information.

I think we're the first generation to successfully integrate American society.

Money stress is what used to remind me of my Dad most.

It's a perfectly valid position to not like Shakespeare.

I think jazz is good, but I don't enjoy it. It's not for me.

There was an honorable tradition of using anonymous sources that was ruined by Jayson Blair.

The first step to stringing the boss up from a lamppost is saying the boss is a moron.

I'm a better polemicist in prose.

Anyone should be able to read comics.

Orrin Hatch was the keynote speaker at the last meeting of the Association of American Editorial Cartoonists. He sought me out because he was a fan. I was thinking he had confused me with someone else.

Anyway, I tried liking Jimmy Corrigan but I couldn't.

I never consciously do any work directly influenced from any movie, unless I'm doing a parody.

Trying to rebuild Afghanistan on the cheap has left the country in the hands of warlords and an impotent Northern Alliance puppet regime that runs Kabul and nothing else.

Up until 1995, I still had a day job that I hated. I was still personally involved in things in the 90s.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

It was tough at the time but when I was younger, my Dad. I would say my Dad, because without him I wouldn't have been here. I mean it was tough for me because he was really demanding. With him, it was never enough, you know, anything I did was never enough.

David and Dad didn't get along too well growing up. I mean we all got along, but it was harder on David, because David wasn't going to be the son that Dad wanted. But now they're like best friends.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I feel lazy when I'm not working. I learned all my business sense from my dad. He always believed in me, and I think the last thing he said to me before he passed away was, 'I know you're gonna be OK. I'm not worried about you'.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

My mom and dad met at UCLA when he as a captain in the Air Force and she was in her junior year.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

Mom and Dad would stay in bed on Sunday morning, but the kids would have to go to church.

My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.

I have to remind my dad, 'Journalists - no matter how many cigars they smoke with you - are not your friends, so don't talk to them.'

We came from a family where we ran our own small business. Our dad made his own products. We made our own sausages, our own meatloafs, our own pickles. Dad had to do everything himself. He had to figure out how to finance his business.

My dad was a carpenter and I would work with him during the summer and umpire on the nights I wasn't playing.

It was sort of just a family sport. My mom and dad were pretty keen golfers when I was young and so were my grandparents, and I just sort of tagged along with them.

My dad takes care of me as a manager and as a dad. That's his job, you know, to take care of me. He has my best interests at heart.

My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.

Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class; I'm a bit wary of that. My dad is the son of a shipbuilder.