The first step to stringing the boss up from a lamppost is saying the boss is a moron.

I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.

The best thing about being a cartoonist is to walk into a bar or someone's apartment and they don't know you, but they've taped one of your pieces up.

Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.

When I put together a graphic novel, I don't think about literary prose. I think about storytelling.

But now that I'm cartooning full-time, I'm more of an observer. I'm talking to people who are experiencing these things. But it's not like being in the trenches.

Even though I'm a leftist. I think the left eats its own.

Most people don't know how to tell stories.

On the ground, Pakistan is the most virulently anti-American state on the planet.

I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful.

Comics are too big. You can't say any kind or genre of comics is better than another. You can say so subjectively. But to say it like it's objective is wrong. It's wrong morally, because it cuts out stuff that's good.

When you have birds you stare at them a lot and their eyes are recessed on their head. When they look at something they tilt their head in a quizzical expression.

The experts who managed the original Marshall Plan say Afghanistan needs a commitment of at least $5 to $10 billion over 5 to 10 years, coupled with occupation forces of 250,000 Allied soldiers to keep the peace throughout the country.

I don't think anyone has written a great graphic novel.

If I had to rank my skills, I have a long way to go before I can write a good graphic novel.

At this point, American workers are pretty respectful of the bosses they loathe.

Conservative humor is frankly harder than liberal humor. You get points for just being liberal. You can get more points if you make fun of your own side sometimes.

I think Dilbert is actually a radical strip.

When you do a cartoon based on news headlines, you do it based on incomplete information.

I think we're the first generation to successfully integrate American society.

Money stress is what used to remind me of my Dad most.

It's a perfectly valid position to not like Shakespeare.

I think jazz is good, but I don't enjoy it. It's not for me.

There was an honorable tradition of using anonymous sources that was ruined by Jayson Blair.

The first step to stringing the boss up from a lamppost is saying the boss is a moron.

I'm a better polemicist in prose.

Anyone should be able to read comics.

Orrin Hatch was the keynote speaker at the last meeting of the Association of American Editorial Cartoonists. He sought me out because he was a fan. I was thinking he had confused me with someone else.

Anyway, I tried liking Jimmy Corrigan but I couldn't.

I never consciously do any work directly influenced from any movie, unless I'm doing a parody.

Trying to rebuild Afghanistan on the cheap has left the country in the hands of warlords and an impotent Northern Alliance puppet regime that runs Kabul and nothing else.

Up until 1995, I still had a day job that I hated. I was still personally involved in things in the 90s.

To make a long story short, there's nothing like having a boss walk in.

Whether they run a record company or a grocery store, every boss will tell you you're in big trouble if you're borrowing more than you can ever afford to pay back. Delaying the pain for future generations is suicidal. We've got to start getting the deficit down right now, not next year.

As an individual, not as the boss of a company, I am very interested in motor racing.

I have learned that trying to guess what the boss or the client wants is the most debilitating of all influences in the creation of good advertising.

Too many people in government seem to think they are above regular folks, and I said I would expect humility in the way each member of my team served- that they would recognize that the taxpayer is boss.

The type of contract between players and producers is, I feel, antiquated in form and abstract in concept. We have no privacies which producers cannot invade, they trade us like cattle, boss us like children.

To me, success was not having to have a boss and not having a day job. I've been living my own version of success since the early '90s when I first got signed. I haven't had a job since then.

Well, what I tried to do is to just listen to my voice, because my voice is my boss. She decides.

The speed of the boss is the speed of the team.

New York State is upside down and backwards; high taxes and low performance. The New York State government was at one time a national model. Now, unfortunately, it's a national disgrace. Sometimes, the corruption in Albany could even make Boss Tweed blush.

I loved my role on Who's the Boss? There is always some of me in every character that I play.

I've never wanted to be the boss.

That's my main flaw: I always think authority figures or my boss is going to think something I do is funny. And usually they don't.

We were a fast-growing company, and I was a demanding boss.

My men and I have decided that our boss, the president of the United States, is as tough as woodpecker lips.

So I still seized the power, but I felt that if I officially made myself the boss, in black and white, it would be too intimidating for the other producers and the other men who worked on the show. In other words, I had the power, but I gave them the title.

My boss told me to get my butt in gear. I told him I was shiftless.