I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.

I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.

I think we're entering a very dangerous time. The West has set itself up, decided it's in charge, not for good intentions, not for the benefit of mankind.

We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.

Music is more difficult - try naming a political band. The Dead Kennedys. The Dead Kennedys are political, but they are more funny than they are political.

And I know I'm paranoid and neurotic, I've made a career out of it.

My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.

I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.

If we got into a situation where people start burning our records, then bring it on. That's the whole point. The gloaming has begun. We're in the darkness. This has happened before. Go read some history.

I think sometimes all the charities are doing is mopping up the blood. It's a shame.

I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.

Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.

Well, I've been reading a lot about the fifty years since the Second World War, about Western foreign policy and all that. I try not to let it get to me, but sometimes I just think that there's no hope.

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.

We don't have to stand on a soap-box and preach because hopefully we're channelling it through the new record.

My argument would be that I don't think there is much that's genuinely political art that is good art.

Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.

This was something that was obsessing me and creating a writer's block. To get involved and get stuck in, get the proper information about what's going on has really helped.

The people in charge, globally, are maniacs. They are maniacs, and unless we do something about it these people are going to deprive us of a future.

I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.

Someone needs to tell the truth, but it shouldn't be my job.

You think I have the responsibilty... I have the responsibility to give the fans a good time!

It is difficult to make political art work.

So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.

At home I've got a very puerile, juvenile sense of humour.

I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.

I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.

We didn't start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what's going on around us.

Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.

I think the most important thing about music is the sense of escape.

I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.

People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.

Sometimes the nicest thing to do with a guitar is just look at it.

I could blow bubbles. Bubbles would solve any dilemma we face. If bubbles were president there would be no war.

Time is running out for us But you just move the hands upon the clock You throw coins in the wishing well For us You just move your hands upon the wall.

If we replaced all of our guns with chicken sandwiches it would end all war immediately.

Open your mouth wide a universal sigh.

I always looked for a man to rescue me and bring me happiness. I bought into that myth, of course, and looked for my own Prince Charming.

There is no rational reason to doubt that the universe has existed indefinitely, for an infinite time. It is only myth that attempts to say how the universe came to be, either four thousand or twenty billion years ago.

I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.

Something fundamental about the myth of the Jew has resurfaced.

The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.

The first myth of management is that it exists. The second myth of management is that success equals skill.

Plato wove historical fact into literary myth.

Postmodernists believe that truth is myth, and myth, truth. This equation has its roots in pop psychology. The same people also believe that emotions are a form of reality. There used to be another name for this state of mind. It used to be called psychosis.

From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.