My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.

I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.

I think we're entering a very dangerous time. The West has set itself up, decided it's in charge, not for good intentions, not for the benefit of mankind.

We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.

Music is more difficult - try naming a political band. The Dead Kennedys. The Dead Kennedys are political, but they are more funny than they are political.

And I know I'm paranoid and neurotic, I've made a career out of it.

My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.

I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.

If we got into a situation where people start burning our records, then bring it on. That's the whole point. The gloaming has begun. We're in the darkness. This has happened before. Go read some history.

I think sometimes all the charities are doing is mopping up the blood. It's a shame.

I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.

Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.

Well, I've been reading a lot about the fifty years since the Second World War, about Western foreign policy and all that. I try not to let it get to me, but sometimes I just think that there's no hope.

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.

We don't have to stand on a soap-box and preach because hopefully we're channelling it through the new record.

My argument would be that I don't think there is much that's genuinely political art that is good art.

Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.

This was something that was obsessing me and creating a writer's block. To get involved and get stuck in, get the proper information about what's going on has really helped.

The people in charge, globally, are maniacs. They are maniacs, and unless we do something about it these people are going to deprive us of a future.

I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.

Someone needs to tell the truth, but it shouldn't be my job.

You think I have the responsibilty... I have the responsibility to give the fans a good time!

It is difficult to make political art work.

So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.

At home I've got a very puerile, juvenile sense of humour.

I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.

I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.

We didn't start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what's going on around us.

Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.

I think the most important thing about music is the sense of escape.

I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.

People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.

Sometimes the nicest thing to do with a guitar is just look at it.

I could blow bubbles. Bubbles would solve any dilemma we face. If bubbles were president there would be no war.

Time is running out for us But you just move the hands upon the clock You throw coins in the wishing well For us You just move your hands upon the wall.

If we replaced all of our guns with chicken sandwiches it would end all war immediately.

Open your mouth wide a universal sigh.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

It was tough at the time but when I was younger, my Dad. I would say my Dad, because without him I wouldn't have been here. I mean it was tough for me because he was really demanding. With him, it was never enough, you know, anything I did was never enough.

David and Dad didn't get along too well growing up. I mean we all got along, but it was harder on David, because David wasn't going to be the son that Dad wanted. But now they're like best friends.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I feel lazy when I'm not working. I learned all my business sense from my dad. He always believed in me, and I think the last thing he said to me before he passed away was, 'I know you're gonna be OK. I'm not worried about you'.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

My mom and dad met at UCLA when he as a captain in the Air Force and she was in her junior year.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

Mom and Dad would stay in bed on Sunday morning, but the kids would have to go to church.

My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.

I have to remind my dad, 'Journalists - no matter how many cigars they smoke with you - are not your friends, so don't talk to them.'