It's too hard for me to comment on the sorry state of our culture.

I've experienced as much fame as I ever want to.

If you want music that speaks to you, that LISTENS to you, you have to go out of your way, which I enjoy actually. I'm constantly on a private-eye kick to find the totally obscure.

I mean, I would hope that I have a style or personality that is evident wherever I go.

I don't really know why I chose bass except that it was different than guitar.

But I also like to be in control, like anyone else. I try to achieve a balance.

Well, I've never been to Japan so I couldn't say. I do know that we have a bit of a following there however.

There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.

Being in several, disparate bands is what I thrive on.

Mullets are still going strong in the south and places like St Louis or the Carolinas.

The bungle tour is a bit up in the air due to the fact this at we are getting screwed by our overseas label.

It's too hard for me to comment on the sorry state of our culture.

I remember when metal was something you really had to search out, and now I hear it on car commercials.

I love being a musician. I love the lifestyle. But I think it's probably as difficult and frustrating as anything.

NYC is chaotic. And I am attracted to chaos.

Music is a very personal and emotional form of communication.

I never understood why the metal heads in my school hated the punks.

I guess the two Manifesto, Communicating Vessels, Mad Love, and some of his poetry made a significant mark on me but as far as bringing a literary element into the music I see it as a much broader assimilation.

I think it was more personal, but I certainly tried to adapt certain concepts of Surrealism.

Harry Patch didn't get enough recognition. Jerry Garcia got too much.

I'm comfortable, but not satisfied and I hope to always feel that way.

It wasn't until after private lessons and learning bass lines that I even noticed bass in the music I was listening to at that age. My ears were blown wide open.

Now I am obsessed with collecting Platypus paraphernalia.

I need to broaden my horizons.

I feel akin to the Platypus. An orphan in a family. A swimmer, a recluse. Part bird, part fish, part lizard.

I love playing in Fantomas, which is very strict in terms of composition.

I take all of my music seriously and personally.

If I can introduce someone to something new, as is constantly happening to me, then I am elated.

I have no inflated ideas about success anyway.

Pop culture is not about depth. It's about marketing, supply and demand, consumerism.

Hopefully, as a band, it will grow and develop for a good length of time.

Bungle is definitely a priority right now.

Different people bring out different aspects of ones personality.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.