There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.

I've experienced as much fame as I ever want to.

If you want music that speaks to you, that LISTENS to you, you have to go out of your way, which I enjoy actually. I'm constantly on a private-eye kick to find the totally obscure.

I mean, I would hope that I have a style or personality that is evident wherever I go.

I don't really know why I chose bass except that it was different than guitar.

But I also like to be in control, like anyone else. I try to achieve a balance.

Well, I've never been to Japan so I couldn't say. I do know that we have a bit of a following there however.

There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.

Being in several, disparate bands is what I thrive on.

Mullets are still going strong in the south and places like St Louis or the Carolinas.

The bungle tour is a bit up in the air due to the fact this at we are getting screwed by our overseas label.

It's too hard for me to comment on the sorry state of our culture.

I remember when metal was something you really had to search out, and now I hear it on car commercials.

I love being a musician. I love the lifestyle. But I think it's probably as difficult and frustrating as anything.

NYC is chaotic. And I am attracted to chaos.

Music is a very personal and emotional form of communication.

I never understood why the metal heads in my school hated the punks.

I guess the two Manifesto, Communicating Vessels, Mad Love, and some of his poetry made a significant mark on me but as far as bringing a literary element into the music I see it as a much broader assimilation.

I think it was more personal, but I certainly tried to adapt certain concepts of Surrealism.

Harry Patch didn't get enough recognition. Jerry Garcia got too much.

I'm comfortable, but not satisfied and I hope to always feel that way.

It wasn't until after private lessons and learning bass lines that I even noticed bass in the music I was listening to at that age. My ears were blown wide open.

Now I am obsessed with collecting Platypus paraphernalia.

I need to broaden my horizons.

I feel akin to the Platypus. An orphan in a family. A swimmer, a recluse. Part bird, part fish, part lizard.

I love playing in Fantomas, which is very strict in terms of composition.

I take all of my music seriously and personally.

If I can introduce someone to something new, as is constantly happening to me, then I am elated.

I have no inflated ideas about success anyway.

Pop culture is not about depth. It's about marketing, supply and demand, consumerism.

Hopefully, as a band, it will grow and develop for a good length of time.

Bungle is definitely a priority right now.

Different people bring out different aspects of ones personality.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.

You can have all sorts of relationships, but there's something with musicians working together where you can have relationship that can just continue to grow in a beautiful way.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

It's my fault in many cases because I don't initiate the contact to talk with a lot of other musicians.

Musician jokes are a kind of joke that usually have to do with how much money someone makes. Musicians are always starving, so they're really mean to each other about who makes what.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.

I don't take compliments very easily. I think most musicians suffer from low self-esteem to some extent.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.