I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.

With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.

Well, more than me saying to the rest of the country music industry there is not enough traditional country music - that is not necessarily the statement in truth. I think more so that I, me, missed it more than anything else.

The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.

I do not like being famous. I like being normal.

When all is said and done the only thing you'll have left is your character.

So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.

It really does take a lot of time to make records, to be in the studio and do all that stuff.

But you know the thing that I thing oftentimes gets ignored and neglected is there was 10 or 12 years of life before I met Amy and before she met me, where you know, whatever happened was probably going to happen some day.

I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.

It is easy to react if everything is going great.

I am not struggling. What I do, it is what I do.

It is not fun singing about losing somebody like that, but at the same time it was easy to write because the memories were so real and vivid and so much a part of who I am.

Whether it is successful or not is not the exercise for me. It is not up to me. It is out of my hands now. I am not going to in two years have hindsight and say I made a big mistake.

I mean, look at her. Any idiot, you know, would quite taken with Amy.

The real amazing thing about all of this is I think I've maintained the mentality of a musician throughout it all, which I'm proudest of. And I'm still playing on people's records and singing on people's records.

It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.

I made records in the past that are as traditional as any other country records that have been made, but at the same time the records have a contemporary slant on it too.

Yes, the companionship is amazing. You know, you can get that physical attraction that happens is great, but then there's an awful lot of time and the rest of the day that you have to fill.

I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.

I've always been more drawn to being normal than being famous.

Well I think in all the thirty years I've been doing this now and being gone from home and all that stuff it's really, it's not about what I've achieved and if I've become a better player, or played better ten years ago than I do today.

My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.

This record for the first time - feels like a record that really represents my whole entire life and instead of just a period of my life. And it is really kind of eye opening and it makes me feel really good to hear this record and hear all the years.

Success is always temporary. When all is said and one, the only thing you'll have left is your character.

I formally proposed. I'm a good Southern gentleman.

The funny thing is, people's perceptions of what a song is about is usually wrong a majority of the time. But they're still going to read what they want to into it.

This is just strictly me wanting to make a record that is the real deal. It is all the stuff that I have learned and know that I remember. It's what I perceive as country music is about.

I am responsible for me. I can kind of take care of what I need to do and should do what I like to do.

You learn a whole lot more about a person if they have bad breaks and all those kind of things.

And from my place, and from the time that I went through my divorce, I also had my father pass away in the middle of all that. And it kind of made everything else just kind of like the back burner, you know.

Success is always temporary. When all is said and done, the only thing you'll have left is your character.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

It was tough at the time but when I was younger, my Dad. I would say my Dad, because without him I wouldn't have been here. I mean it was tough for me because he was really demanding. With him, it was never enough, you know, anything I did was never enough.

David and Dad didn't get along too well growing up. I mean we all got along, but it was harder on David, because David wasn't going to be the son that Dad wanted. But now they're like best friends.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I feel lazy when I'm not working. I learned all my business sense from my dad. He always believed in me, and I think the last thing he said to me before he passed away was, 'I know you're gonna be OK. I'm not worried about you'.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

My mom and dad met at UCLA when he as a captain in the Air Force and she was in her junior year.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

Mom and Dad would stay in bed on Sunday morning, but the kids would have to go to church.

My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.

I have to remind my dad, 'Journalists - no matter how many cigars they smoke with you - are not your friends, so don't talk to them.'

We came from a family where we ran our own small business. Our dad made his own products. We made our own sausages, our own meatloafs, our own pickles. Dad had to do everything himself. He had to figure out how to finance his business.

My dad was a carpenter and I would work with him during the summer and umpire on the nights I wasn't playing.

It was sort of just a family sport. My mom and dad were pretty keen golfers when I was young and so were my grandparents, and I just sort of tagged along with them.

My dad takes care of me as a manager and as a dad. That's his job, you know, to take care of me. He has my best interests at heart.

My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.

Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class; I'm a bit wary of that. My dad is the son of a shipbuilder.