Cedric Gibbons was the grand cardinal of the art department.

That's what I think musicals will come to. No backstage stories, nothing of that sort.

It's the story that counts.

The Pirate is surrealism and so, in a curious way, is Father of the Bride.

I learn new things all the time.

Color can do anything that black-and-white can.

I had given up the theater and everything propelled me into entertainment. And I didn't resist it.

Cedric Gibbons was the grand cardinal of the art department.

I made three films with Douglas, two with Charles Boyer.

Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man.

It's always the story that interests me.

If anybody reads a story in a magazine or book, different pictures compete in their minds.

But I think musicals are going to have to deal with important subjects.

But surrealism is present in most of my pictures.

Nowadays the audience has changed. No one can anticipate the audience.

In the Thirties, when I was in New York, I did the first surrealistic ballet in a show of mine.

Designing Woman was written for the screen.

No, I only like whether I like the story or not, essentially see something in it that isn't completely there.

I seem to be drawn to things that actually happen.

I use colors to bring fine points of story and character.

American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.

We shot that in all the real places where Van Gogh worked.

I started out to be a painter and was born into the theater.

West Side Story was terribly important because of the style of the dancing and the gangs of New York.

I see wonderful films by Bertolucci, Visconti, and Fellini.

I've worked with an awful lot of people. Katy Hepburn, Spencer Tracy.

Dali was the great painter then and surrealism was a way of life.

I always have coffee without sugar, you know. Just cream.

I always liked the Van Gogh story because I was terribly involved in that.

I allow an area for improvisation because the chemical things actors bring to stories make it not work.

But I went down to Venezuela and spend a few weeks going through jungles. It's fantastic looking.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.