The idea that happiness could have a share in beauty would be too much of a good thing.

Opinions are a private matter. The public has an interest only in judgments.

The idea that happiness could have a share in beauty would be too much of a good thing.

Every passion borders on the chaotic, but the collector's passion borders on the chaos of memories.

The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.

The art of the critic in a nutshell: to coin slogans without betraying ideas. The slogans of an inadequate criticism peddle ideas to fashion.

The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.

All disgust is originally disgust at touching.

The only way of knowing a person is to love them without hope.

Books and harlots have their quarrels in public.

Death is the sanction of everything the story-teller can tell. He has borrowed his authority from death.

Quotations in my work are like wayside robbers who leap out armed and relieve the stroller of his conviction.

Gifts must affect the receiver to the point of shock.

Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.

The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.

Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.

Living substance conquers the frenzy of destruction only in the ecstasy of procreation.

Counsel woven into the fabric of real life is wisdom.

Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred.

To be happy is to be able to become aware of oneself without fright.

Genuine polemics approach a book as lovingly as a cannibal spices a baby.

All human knowledge takes the form of interpretation.

Opinions are to the vast apparatus of social existence what oil is to machines: one does not go up to a turbine and pour machine oil over it; one applies a little to hidden spindles and joints that one has to know.

The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.

It is only for the sake of those without hope that hope is given to us.

The construction of life is at present in the power of facts far more than convictions.

Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away.

It is precisely the purpose of the public opinion generated by the press to make the public incapable of judging, to insinuate into it the attitude of someone irresponsible, uninformed.

The true picture of the past flits by. The past can be seized only as an image which flashes up at the instant when it can be recognized and is never seen again.

He who observes etiquette but objects to lying is like someone who dresses fashionably but wears no vest.

All efforts to make politics aesthetic culminate in one thing, war.

The more circumspectly you delay writing down an idea the more maturely developed it will be on surrendering itself.

The work of memory collapses time.

Ownership is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them.

The art of storytelling is reaching its end because the epic slice of truth, wisdom, is dying out.

Any translation which intends to perform a transmitting function cannot transmit anything but information -- hence, something inessential. This is the hallmark of bad translations.

True translation is transparent: it does not obscure the original, does not stand in its light, but rather allows pure language, as if strengthened by its own medium, to shine even more fully on the original.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

Because beauty isn't enough, there must be something more.

Oh! this opponent, this collaborator against your will, whose notion of beauty always differs from yours and whose means are often too limited for active assistance to your intentions!

The kind of beauty I want most is the hard-to-get kind that comes from within - strength, courage, dignity.

Beauty set up distance between other people and me. It warped their behavior.

Do not confuse beauty with beautiful. Beautiful is a human judgment. Beauty is All. The difference is everything.

The double hundred Fowler hit in the Madras Test was an absolute beauty.

Only on paper has humanity yet achieved glory, beauty, truth, knowledge, virtue, and abiding love.

I had a lot of resentment for a while toward Kim Novak. But I don't mind her anymore. She's okay. We've become friends. I even asked her before this trip for some beauty tips.

You don't know what the Chinese expect in the way of beauty. The presentation is just a farce. You come into a room filled with 50 people and they don't talk to you. There's very little interaction.

Then Christ shall be clothed with all the beauty of the elect as if with a long tunic variously adorned, in which He shall shine as if covered with all manner of precious stones.