The most important thing that certainly the United States and other Asian and Pacific actors have done is to urge that whatever happens, however the dispute is resolved, that it be resolved peacefully.

Harvard is first and foremost a university and not a consulting operation, and our job here is to teach and to research and to create knowledge on Asia in conjunction and in cooperation with scholars as well as with political, intellectual, and cultural leaders in Asia.

And look at the mess that Russia is; most Chinese don't want to follow that.

So, anything that avoids a conflict that could draw in, unhappily again, outside powers such as the United States or revisit, for example, Japan's interests in the Taiwan area would be the last thing that anyone would want.

Now, I believe that war is never inevitable until it starts, but there has been a great proclivity in human history, and including in recent history, for war.

I don't believe that economic and cultural interaction automatically brings greater peace and understanding, although it may help in that regard.

Taiwan is a major economy.

There is no question that Taiwan is a state in any political science definition of a state.

You could argue that war is always an irrational act, and yet many states enter into military conflict out of rational calculation or national interest or the stability or longevity of their regime.

The reform of state industry, and most directly related to that, the banking sector, is enormously daunting.

The greater concerns in China and Taiwan are on the political side, not on the economic side.

I would hope we would begin a series of projects that would do more to bring the different parts of the university together in the study of Asia, for example, in the study of the professions in Asia.

Another goal is to look to the resources we have and to see how we could do better to plan, in a sense, for the faculty and infrastructure that we will need to study Asia well into the 21st century.

East Asia has prospered since the end of the Vietnam War, and Northeast Asia has prospered since the end of the Korean War in a way that seems unimaginable when you think of the history of the first half of the century.

The Chinese government since 1979 has been very successful in economic development, and successful enough, simply by surviving, in the realm of political development.

The most important thing that certainly the United States and other Asian and Pacific actors have done is to urge that whatever happens, however the dispute is resolved, that it be resolved peacefully.

The PRC is the big brother in this relationship, and it has the capacity to be generous to Taiwan on this issue in a manner that might do much to defuse that issue internally in Taiwan.

So, I think China desperately needs to legitimize some form of opposition.

A war in the Taiwan Strait would destroy China's international relations overnight. It would destroy Chinese - Japanese relations, not to mention Chinese - American relations.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

My favorite actors when I was a kid were in their '60s. Spencer Tracy, Humphrey Bogart, John Wayne.

I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.

I usually hang out on the set. I get to know everybody. I have a nice time with the other actors.

But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.

Actors are an insecure breed. It's hard to have your career depend upon other people's opinions of what you do.

Music is my main goal, but I'm not going to rush a record out. There are so many actors who have come out with albums these days. I don't want to do it because it's the thing to do. I want to wait until the time is right.

Generally speaking, actors are allowed NO input. Actors are dumb.