Half the time I feel like I'm appealing to the downer freaks out there. We start to play one downer record after another until I begin to get down myself. Give me something from 1960 or something; let me get up again. The music of today is for downer freaks, and I'm an upper.

We are put on this earth to have a good time. This makes other people feel good. And the cycle continues.

My fake Japanese was smooth enough to earn me the title of 'The Emperor of Pleasing Graciousness' in that country.

A little mordida, here. A little mordida, there.

Half the time I feel like I'm appealing to the downer freaks out there. We start to play one downer record after another until I begin to get down myself. Give me something from 1960 or something; let me get up again. The music of today is for downer freaks, and I'm an upper.

I started out as an opportunistic renegade. By now, I've lasted long enough to become sort of an American Original Respectable Renegade.

Bob Smith from Brooklyn is a guy who sometimes gets hung with problems and fears. Wolfman Jack is a happy-go-lucky guy who knows how to party. The challenge of my life has been letting more and more of Bob Smith go, becoming the Wolfman on an almost full-time basis, while still taking care of business.

From 1958 to 1964, that's real rock n' roll. Then the Beatles hit and everyone sounded like them.

I am just a little tired of the Stones and the Beatles, and I don't care if I ever hear 'Louie Louie' ever again.

I appreciate folks asking for my autograph.

I don't want people mistreating me. I found out when you're vulnerable and your heart's open, then people step on you. You're really stupid for letting that happen. And the only way to counteract that is to be like Wolfman Jack. Because if you do nice, kind things for people, then how are they going to mess you over?

I figure the oldies are real close to what rocking country use to be.

I know it sounds corny, man, but I like to bring folks joy, and I like to have a good time. I know folks like to be with somebody who's having a good time. You sure as hell don't want to be with somebody who's having a bad day.

I looked real Neanderthal. I could have been Mexican, I could have been black; I could have been anything.

I never prayed for no money, and I never prayed for no fame. I said, 'I'll take care of that myself. You just keep me healthy and I'll do all I can to try to turn people around, to try to steer 'em in the right direction.' That's the whole trip in life, ya know.

I taught myself to tune in to another person's wavelength, figure out what they were looking for, and try to project that thing back at them.

I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.

I'm not crazy about the rap thing. Or house music.

I'm very rich - in friends. I'm too nice a fellow. I give most of my money away.

I've got that nice raspy sound.

If you do right, everything will come out right.

It would take me three or four lifetimes to do everything I want. I'm a Brooklyn boy who learned to hustle, and I have to do something every day or I get the guilties.

Kids like classic rock, and so do adults.

Some people said my acting was a cross between Euell Gibbons, Rodney Allen Rippy and Sheena, Queen of the Jungle.

The one thing I've learned, getting out to all those foreign and domestic locales, is that people in every country of the 'civilized' world wish - either secretly or openly - that they had the expressiveness, the flair, the I'm-so-glad-to-be-me spirit that black folks have made a part of American life.

When I started at XCRF in 1960, Mexico was the most lenient country in the world when it came to radio.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.