My earlier poems were sadder than my poems are today, perhaps because I wrote them in confusion or when I was unhappy. But I am not a melancholy person, quite the contrary, no one enjoys laughing more than I do.

Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet.

A poem might be defined as thinking about feelings - about human feelings and frailties.

I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.

I like rhyme because it is memorable, I like form because having to work to a pattern gives me original ideas.

I married a young Englishman in Cambridge in 1955 and have lived in Britain every since.

I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy.

My earlier poems were sadder than my poems are today, perhaps because I wrote them in confusion or when I was unhappy. But I am not a melancholy person, quite the contrary, no one enjoys laughing more than I do.

I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.

I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art.

I am now seventy, rather glad, really, that I won't live to see the horrors to come in the 21st century.

When everything is for 'fun' nothing is for the good.

I write, or used to write, to explain to myself situations I couldn't otherwise solve or understand. Meditation comes very naturally to me.

Sylvia Plath was just a month and a half older than I, and when she committed suicide I was only 30 - and very shocked and sorry. I never knew her personally.

Blake has always been a favorite, the lyrics, not so much the prophetic books, but I suppose Yeats influenced me more as a young poet, and the American, Robert Frost.

I think a poet, like a painter, should be a craftsperson.

Each word bears its weight, so you have to read my poems quite slowly.

I have always made my own rules, in poetry as in life - though I have tried of late to cooperate more with my family. I do, however, believe that without order or pattern poetry is useless.

I don't like poetry that just slaps violent words on a canvas, as it were.

There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.

Poets should ignore most criticism and get on with making poetry.

I'm not really quiet or shy. Ask any of my friends! But I always ground my poetry in life itself. Poetry is an art of language, though, so I am always aware of every word's meaning, or multiple meanings.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

Yes, I do often write poems from the mind, but I hope I don't ignore feelings and emotions.

Have you ever heard of a pianist who never had to practice - or of an architect who didn't bother to find out why buildings stand up?

Many varieties of sonnet, of course, have been written over the ages.

Writing in a strict form can surprise you.

The sea is as near as we come to another world.

There is sometimes a peculiar confusion in the West that equates progress to whatever is recent or whatever is new, and it is time we understood that progress has nothing to do with the chronology of an idea.

All the perplexities, confusion and distress in America arise, not from defects in their Constitution or Confederation, not from want of honor or virtue, so much as from the downright ignorance of the nature of coin, credit and circulation.

In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.

The Lord Jesus will be revealed mightily, and will make bare his holy Arm, as well in the confusion of Antichrist, as in the conversion of the Jews, before the last judgment, and the end of all things.

At one of the annual conventions of the American Society for Aesthetics much confusion arose when the Society for Anesthetics met at the same time in the same hotel.

Furthermore, America suffers not only from a lack of standards, but also not infrequently from a confusion or an inversion of standards.

I simply can't build my hopes on a foundation of confusion, misery and death... I think... peace and tranquillity will return again.

An advertising agency is 85 percent confusion and 15 percent commission.

Truth emerges more readily from error than from confusion.

Gratitude unlocks the fullness of life. It turns what we have into enough, and more. It turns denial into acceptance, chaos to order, confusion to clarity. It can turn a meal into a feast, a house into a home, a stranger into a friend.

The use of the polygraph has done little more than create confusion, ambiguity and mistakes.

Let me say that the path I did take for a brief period of my life was not of reckless drug use, hurting others, but it was a path of quiet rebellion, of a little experimentation of a darker side of my confusion in a confusing world, lost in the midst of finding my identity.

Towards four o'clock, the rebels felt strong enough to take the offensive. A brigade with a battery under Earle managed to strike the Federal right on the flank and rear and throw it into utter confusion, which spread rapidly along the whole front. Now came the disastrous end.

People look for morals in fiction because there has always been a confusion between fiction and philosophy.

All comparisons between America's current place in the world and anything legitimately called an empire in the past reveal ignorance and confusion about any reasonable meaning of the concept empire, especially the comparison with the Roman Empire.

One is that that's the way we started and we thought there would be more value and less confusion if the business model was just based on delivering news that's of value to Web sites.

And I believe that it becomes a troubled continent because there are those who must always cause confusion so that we do not keep these natural resources.

I feel very comfortable with the way I look, and I feel very comfortable with the kind of confusion that it creates in people's minds.

It is still not enough for language to have clarity and content... it must also have a goal and an imperative. Otherwise from language we descend to chatter, from chatter to babble and from babble to confusion.

I'm 16 now, I was 15 when it happened... and the encryption code wasn't in fact written by me, but written by the German member. There seems to be a bit of confusion about that part.

The figure a poem makes. It begins in delight and ends in wisdom... in a clarification of life - not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.