I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.

Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet.

A poem might be defined as thinking about feelings - about human feelings and frailties.

I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.

I like rhyme because it is memorable, I like form because having to work to a pattern gives me original ideas.

I married a young Englishman in Cambridge in 1955 and have lived in Britain every since.

I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy.

My earlier poems were sadder than my poems are today, perhaps because I wrote them in confusion or when I was unhappy. But I am not a melancholy person, quite the contrary, no one enjoys laughing more than I do.

I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.

I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art.

I am now seventy, rather glad, really, that I won't live to see the horrors to come in the 21st century.

When everything is for 'fun' nothing is for the good.

I write, or used to write, to explain to myself situations I couldn't otherwise solve or understand. Meditation comes very naturally to me.

Sylvia Plath was just a month and a half older than I, and when she committed suicide I was only 30 - and very shocked and sorry. I never knew her personally.

Blake has always been a favorite, the lyrics, not so much the prophetic books, but I suppose Yeats influenced me more as a young poet, and the American, Robert Frost.

I think a poet, like a painter, should be a craftsperson.

Each word bears its weight, so you have to read my poems quite slowly.

I have always made my own rules, in poetry as in life - though I have tried of late to cooperate more with my family. I do, however, believe that without order or pattern poetry is useless.

I don't like poetry that just slaps violent words on a canvas, as it were.

There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.

Poets should ignore most criticism and get on with making poetry.

I'm not really quiet or shy. Ask any of my friends! But I always ground my poetry in life itself. Poetry is an art of language, though, so I am always aware of every word's meaning, or multiple meanings.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

Yes, I do often write poems from the mind, but I hope I don't ignore feelings and emotions.

Have you ever heard of a pianist who never had to practice - or of an architect who didn't bother to find out why buildings stand up?

Many varieties of sonnet, of course, have been written over the ages.

Writing in a strict form can surprise you.

The sea is as near as we come to another world.

Judaism has always been a strong interest of mine. My two sons speak Hebrew and are familiar with the scriptures and with rabbinic literature. This is the way we live.

Examples one finds in the philosophical literature are somebody who's seen the trial of a child of theirs, where they're being proved guilty of some crime that would drive the parent into a depression, maybe a suicidal depression.

During our stay in London for the first time I was able to establish personal contact with some of the organic chemists, whose work I knew and admired from the literature. I found them most gracious and helpful.

The decline of literature indicates the decline of a nation.

Jesus claimed He had the power to raise himself from the dead and His followers would be raised from the dead. That's a unique claim in the literature of religion.

The Arab world also won the Nobel with me. I believe that international doors have opened, and that from now on, literate people will consider Arab literature also. We deserve that recognition.

The difference between literature and journalism is that journalism is unreadable and literature is not read.

In science, read, by preference, the newest works; in literature, the oldest. The classic literature is always modern.

Acquiring a repertoire in these days, when the vocal literature is so immense, so overwhelming, that the student with sense will devote all his energies to work and not imagine himself a martyr to art.

I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.

In the order of literature, as in others, there is no act that is not the coronation of an infinite series of causes and the source of an infinite series of effects.

The web, then, or the pattern, a web at once sensuous and logical, an elegant and pregnant texture: that is style, that is the foundation of the art of literature.

I've been as bad an influence on American literature as anyone I can think of.

The study of social progress is today not less needed in literature than is the analysis of the human heart.

The concept of industry domination of regulatory agencies was well known and documented in the literature by the 1960s.

It is in literature that the concrete outlook of humanity receives its expression.

Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.

The proverbial philosophy of a people helps us to understand more about them than any other kind of literature.

Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.

The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish.

Literature is the immortality of speech.