Sylvia Plath was just a month and a half older than I, and when she committed suicide I was only 30 - and very shocked and sorry. I never knew her personally.

Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet.

A poem might be defined as thinking about feelings - about human feelings and frailties.

I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound.

I like rhyme because it is memorable, I like form because having to work to a pattern gives me original ideas.

I married a young Englishman in Cambridge in 1955 and have lived in Britain every since.

I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy.

My earlier poems were sadder than my poems are today, perhaps because I wrote them in confusion or when I was unhappy. But I am not a melancholy person, quite the contrary, no one enjoys laughing more than I do.

I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.

I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art.

I am now seventy, rather glad, really, that I won't live to see the horrors to come in the 21st century.

When everything is for 'fun' nothing is for the good.

I write, or used to write, to explain to myself situations I couldn't otherwise solve or understand. Meditation comes very naturally to me.

Sylvia Plath was just a month and a half older than I, and when she committed suicide I was only 30 - and very shocked and sorry. I never knew her personally.

Blake has always been a favorite, the lyrics, not so much the prophetic books, but I suppose Yeats influenced me more as a young poet, and the American, Robert Frost.

I think a poet, like a painter, should be a craftsperson.

Each word bears its weight, so you have to read my poems quite slowly.

I have always made my own rules, in poetry as in life - though I have tried of late to cooperate more with my family. I do, however, believe that without order or pattern poetry is useless.

I don't like poetry that just slaps violent words on a canvas, as it were.

There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.

Poets should ignore most criticism and get on with making poetry.

I'm not really quiet or shy. Ask any of my friends! But I always ground my poetry in life itself. Poetry is an art of language, though, so I am always aware of every word's meaning, or multiple meanings.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

Yes, I do often write poems from the mind, but I hope I don't ignore feelings and emotions.

Have you ever heard of a pianist who never had to practice - or of an architect who didn't bother to find out why buildings stand up?

Many varieties of sonnet, of course, have been written over the ages.

Writing in a strict form can surprise you.

The sea is as near as we come to another world.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

Drunkenness is temporary suicide.

Religion kept some of my relatives alive, because it was all they had. If they hadn't had some hope of heaven, some companionship in Jesus, they probably would have committed suicide, their lives were so hellish.

I think suicide is sort of like cancer was 50 years ago. People don't want to talk about it, they don't want to know about it. People are frightened of it, and they don't understand, when actually these issues are medically treatable.

It is matrimonial suicide to be jealous when you have a really good reason.

It wasn't until '94 when I tried to commit suicide that I realized that it wasn't about the money.

In advertising, not to be different is virtual suicide.

I have a suicide impulse.

Anyone who thinks must think of the next war as they would of suicide.

They tell us that suicide is the greatest piece of cowardice... that suicide is wrong; when it is quite obvious that there is nothing in the world to which every man has a more unassailable title than to his own life and person.

I saw Suicide in '74 and it was pretty horrifying.

The woman poet must be either a sexless, reclusive eccentric, with nothing to say specifically to women, or a brilliant, tragic, tortured suicide.

So smoking is the perfect way to commit suicide without actually dying. I smoke because it's bad, it's really simple.

The homosexual community has more acceptance in America than it ever has, and the suicide rate is as high as it's always been.

There is something great and terrible about suicide.

Is it hard for the reader to believe that suicides are sometimes committed to forestall the committing of murder? There is no doubt of it. Nor is there any doubt that murder is sometimes committed to avert suicide.

Fame is no sanctuary from the passing of youth... suicide is much easier and more acceptable in Hollywood than growing old gracefully.

The only difference between suicide and martyrdom is press coverage.

No law can give or take away the choice to commit suicide.

If you don't do it my way, I suggest you commit suicide.

The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.