I like to use my hands and make things... It might seem pretty stupid or pointless but that doesn't matter... some of the most interesting work is the stuff that starts like that - out of a raw need for activity.

If you choose the wrong questions and you proceed, you still get a result, but it's not interesting.

In this case we're building a corner to stretch a fence and hang a gate. It had a real purpose in the ranch here. I needed to do this. But at the same time, it made a beautiful structure.

I like to use my hands and make things... It might seem pretty stupid or pointless but that doesn't matter... some of the most interesting work is the stuff that starts like that - out of a raw need for activity.

If you really want to do it, you do it. There are no excuses.

In art, the only one who really knows whether what you've done is honest is the artist.

But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes.

And so I put down some of the things that he said, about keeping your tools sharpened and not letting them lie on the ground where they get hurt or get abused and dirty and can't find them. And some thoughts about how his father used to do things.

I don't like to think about being an influence. It's embarrassing.

I'll talk. You'll listen.

And I don't have any specific steps to take because I don't start the same way every time. But there is a knowing when it's enough and you can leave it alone.

But if you can find that spot - I suppose it's like running - I used to be a swimmer and swim laps, and you just have to be there with what you're doing.

Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished.

What I am really concerned about is what art is supposed to be - and can become.

In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.

And then what makes the work interesting is if you choose the right questions.

I think humor is used a lot of the time to keep people from getting too close. Humor side-steps and shifts the meaning.

I've always been interested in what happens in the studio.

The true artist helps the world by revealing mystic truths.

If you really want to do it you do it. There are no excuses.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

So the guy that we're really targeting our system at this year is one of the guys who brought a 16bit system three or four years ago and has pretty much had it with that, and he's ready to buy something new.

Grissom is pretty asexual. He's not that interested in anything other than work - except for Lady Heather. She's the closest to getting his heart of anyone.

The student body was huge at UT and you had to mature pretty quick, very quick actually. I enjoyed it and it helped me a lot in my life in general - not only in the classroom but on the baseball field as well.

It was pretty extensive - we worked out 8 hours a day, 5 days a week, for 3 months, which I think is more than anybody in the Olympics. I thought well I don't need this, the girls need it, but it was a gift.

Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.

I was pretty taken with Patti Smith, she was my heroine.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

When George Bush asked me to sign on, it obviously wasn't because he was worried about carrying Wyoming. We got 70 percent of the vote in Wyoming, although those three electoral votes turned out to be pretty important last time around.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

It's pretty simple, pretty obvious: that people's first impressions of people are really a big mistake.

I felt pretty comfortable with Westerns, apart from the fact I couldn't ride.

Being the first woman speaker and breaking the marble ceiling is pretty important. Now it's time to move on.

Well, the years from 10 to 20, when your body, mind and everything is like changing every five minutes, can be pretty torturing. And most of the interesting characters, I think, are somewhat tortured or torturous. I'm 20 now, so I'm only just an adult.

You just keep feeding hogwash to people, and pretty soon they'll eat it.

Ethically, I think pretty much every code of ethics for doctors suggests that they should not be in an interrogation room, particularly if there's anything coercive or abusive going on.

I think to just single out a highlight of Elvis's career is pretty much impossible. As far as being a fan of his, a lifetime fan, there were just too many highlights.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

I used to be pretty reckless. When I was a runner for a production company, I drove a massive 16 seater van. I was only 18. I mean I look young now, but then I looked about 12.

When you're my age and you see a story, you better go for it pretty quickly. I'd just like to get a few more novels under my belt.

Yes, of course that's true but you know, the irony of all that is that before the accident, I'd pretty much lost interest in playing drums.

A great social success is a pretty girl who plays her cards as carefully as if she were plain.

I'm pretty gross. When I talk I can be gross and crude.

It means a lot to you, to be out there. The highs are pretty high, and the lows are pretty low. You know, it's easy to feel like you let the team down. I mean, at the end of the day we still got to figure out a way to get through the tie.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Coming down under a parachute is quite different as well. You hit the ground pretty hard, but all the systems work very well to keep it from hurting, so it doesn't even hurt when you hit. It was a great experience to be able to do both.

What you're looking at there is my arm, going into the rock... and there it is - stuck. It's been without circulation for 24 hours. It's pretty well gone.

For someone who's had the level of success I've had, there's been very little critical review of my work, which is pretty fascinating.

And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.