It is a dangerous thing to have instant access to your emotions.

Television's Mr. Filth: that's me.

Children can write poetry and then, unless they're poets, they stop when reach puberty.

I believe everybody is responsible for what they do themselves.

God, I'm such a lazy writer - I can't even think up new names.

Just letting it out is one of the definitions of bad art.

I did not fully understand the dread term 'terminal illness' until I saw Heathrow for myself.

The strangest thing that human speech and human writing can do is create a metaphor. That is an amazing leap, is it not?

Everything we do has consequences.

Ideals jump across the hierarchies of the printed word.

That vision of a common culture is now simply a remote wistfulness.

I was given talent, and if you are given it, it is your obligation to use it.

It is a dangerous thing to have instant access to your emotions.

The more my work improves or broadens or widens, the more surely I tame myself.

The knowledge that we have about what it is to be human that we have as a child is something we necessarily must lose.

The trouble with words is that you never know whose mouths they have been in.

I have been aware, from the age of 6, that I had talent.

Religion, you can't a handle on it, you just have to know or not know-people either believe or they don't believe.

The thing about imagination is that by the very act of putting it down, there must be some truth in one's own imagination.

Children are very cruel, yes. Of course. Children are extraordinarily cruel little creatures.

There's no end to the inventiveness of critics, I tell you. Because they can't write fiction, they put their impulse into their analysis of work.

As adults, we do know more, but we don't know enough. People can be very unthinkingly callous.

Metaphor is embodied in language.

I think childhood is to everyone a lost land.

Therapy, as opposed to analysis, is a whole construct of myth, beautiful and creative.

As a piece of literacy criticism, Freud's best writing is about Dostoyevsky. It's a kind of displaced literacy criticism.

A bad act done will fester and create in its own way. It's not only goodness that creates. Bad things create. They have their own yeast.

The loss of Eden is personally experienced by every one of us as we leave the wonder and magic and also the pains and terrors of childhood.

You have to assert something about yourself in order to be yourself.

People endure what they endure and they deal with it. It may corrupt them. It may lead them into all sorts of compensatory excesses.

To love it too much is to obscure and not see what is there.

Some of the words and symbols and images from childhood will continually be part and parcel of my personality.

And rather than hide that, I would rather put that out on the radio and let someone see the full range of emotions. If you're going to be strong on the radio, you got to let it all out, even the ugly stuff. And you can't apologize for it.

Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don't know, I've always been intrigued by those emotions.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

In the First World War, there was the sudden passion of nationalism, and the killing took place because of these emotions. But the Soviet case is different, because you had systematic murder, like the Holocaust.

So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

Emotions are the fuel to really move you along - that's the only way you can create music. If you don't feel any emotions, it's not going to happen.

Poetry is ordinary language raised to the Nth power. Poetry is boned with ideas, nerved and blooded with emotions, all held together by the delicate, tough skin of words.

Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

Most critical writing is drivel and half of it is dishonest. It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.

The name of Jesus, like a secret charm, awakened similar emotions in the hearts of all the converts, and called immediately into action every feeling of moral loveliness, and every desire of dutiful obedience, which constitute Christian purity.

Postmodernists believe that truth is myth, and myth, truth. This equation has its roots in pop psychology. The same people also believe that emotions are a form of reality. There used to be another name for this state of mind. It used to be called psychosis.

Exploiting people's emotions of fear, envy and anxiety is not hope, it's not change, it's partisanship. We don't need partisanship. We don't need demagoguery, we need solutions.

My weaknesses are my jumps. The reason is that although I land them in practice, when I actually compete or perform, I should let my body go and stabilize my mind better. Also, I need to work on not letting negative thoughts and emotions get to me on the ice.

The fact that biological, or "natural" rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.

The concept of reason itself appears as an artificial attempt to separate intellectual powers from the frustrations, emotions, and accidents which cause events; the concept of reason is viewed as facade to prevent change.