Therapy, as opposed to analysis, is a whole construct of myth, beautiful and creative.

Television's Mr. Filth: that's me.

Children can write poetry and then, unless they're poets, they stop when reach puberty.

I believe everybody is responsible for what they do themselves.

God, I'm such a lazy writer - I can't even think up new names.

Just letting it out is one of the definitions of bad art.

I did not fully understand the dread term 'terminal illness' until I saw Heathrow for myself.

The strangest thing that human speech and human writing can do is create a metaphor. That is an amazing leap, is it not?

Everything we do has consequences.

Ideals jump across the hierarchies of the printed word.

That vision of a common culture is now simply a remote wistfulness.

I was given talent, and if you are given it, it is your obligation to use it.

It is a dangerous thing to have instant access to your emotions.

The more my work improves or broadens or widens, the more surely I tame myself.

The knowledge that we have about what it is to be human that we have as a child is something we necessarily must lose.

The trouble with words is that you never know whose mouths they have been in.

I have been aware, from the age of 6, that I had talent.

Religion, you can't a handle on it, you just have to know or not know-people either believe or they don't believe.

The thing about imagination is that by the very act of putting it down, there must be some truth in one's own imagination.

Children are very cruel, yes. Of course. Children are extraordinarily cruel little creatures.

There's no end to the inventiveness of critics, I tell you. Because they can't write fiction, they put their impulse into their analysis of work.

As adults, we do know more, but we don't know enough. People can be very unthinkingly callous.

Metaphor is embodied in language.

I think childhood is to everyone a lost land.

Therapy, as opposed to analysis, is a whole construct of myth, beautiful and creative.

As a piece of literacy criticism, Freud's best writing is about Dostoyevsky. It's a kind of displaced literacy criticism.

A bad act done will fester and create in its own way. It's not only goodness that creates. Bad things create. They have their own yeast.

The loss of Eden is personally experienced by every one of us as we leave the wonder and magic and also the pains and terrors of childhood.

You have to assert something about yourself in order to be yourself.

People endure what they endure and they deal with it. It may corrupt them. It may lead them into all sorts of compensatory excesses.

To love it too much is to obscure and not see what is there.

Some of the words and symbols and images from childhood will continually be part and parcel of my personality.

I always looked for a man to rescue me and bring me happiness. I bought into that myth, of course, and looked for my own Prince Charming.

There is no rational reason to doubt that the universe has existed indefinitely, for an infinite time. It is only myth that attempts to say how the universe came to be, either four thousand or twenty billion years ago.

I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.

Something fundamental about the myth of the Jew has resurfaced.

The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.

The first myth of management is that it exists. The second myth of management is that success equals skill.

Plato wove historical fact into literary myth.

Postmodernists believe that truth is myth, and myth, truth. This equation has its roots in pop psychology. The same people also believe that emotions are a form of reality. There used to be another name for this state of mind. It used to be called psychosis.

From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.

It took some time to gather the research and develop it into the storyline, and to finally finish an origin myth poem that I had been working on for twenty years.

I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.

The poem is a little myth of man's capacity of making life meaningful. And in the end, the poem is not a thing we see-it is, rather, a light by which we may see-and what we see is life.

You know why we're stuck with the myth that only black people have soul? Because white people don't let themselves feel things.

Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.

Myth is supposed to bring us together, but fantasy alienates us.

Nothing will see us through the age we're entering but high consciousness, and that comes hard. We don't have a good, modern myth yet, and we need one.

From being a patriotic myth, the Russian people have become an awful reality.