Most good things happen with time; especially music, which needs time to breathe and to find its own way.

Punk rock really came out of N.Y. as a philosophy before the groups were ever recorded. I had a kind-of intellectual interest in the idea of creating a new scene that could be a grassroots thing.

The REM and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. REM and Nirvana don't sound like anyone else.

Putting out the things that I like best hasn't been the easiest way to run a label, and it still isn't because it requires finding an audience for each record.

There are several books out on punk history, but I haven't read any of them. I was there.

People from major labels were afraid to go to Black Flag gigs throughout most of the band's existence. They treated our gigs as something threatening. I'm sure that it probably was. They probably had reasons to be scared.

As a label, you have to treat every group and every record as a unique entity. I think that that has been our success, rather than relying upon a fan base.

The public is usually slow to catch on to new things, and it's important that musicians stick to their guns and not look for that instant gratification.

The Minutemen were seen as more of an art thing than Black Flag, although I didn't see them that way. It confused people when we put out Saccharine Trust, too.

The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.

If people are really excited about their music, and that's their primary motivation, then that comes through in demo tapes. That's the most important ingredient.

We're not good at propping up old carcasses. We want to be on top of what's vital at any particular time, and not just hold onto something because it has a name.

We've gotten involved in cat rescue - we take them in and find homes for them. I've always loved cats. I saw how homeless cats were living out there. We take them in, put out flyers.

We aren't as concerned about the live aspect as other labels. The best live bands are the easiest to record.

I didn't want to wait around for some business entity to come around and give me money and tell me what to do. We just started releasing records as best we could.

There's not much music I'll listen to if it doesn't have pretty heavy swing. Rhythm is so important. Punk rock would have more power and feeling if it had swing.

I listen to everything that comes in. I'm not real worried about demo sound quality. I can hear through that sort of thing. If a band can play, then they can play.

Black Flag was formed in 1977. We first recorded in 1978.

It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.

The biggest disappointment has been seeing the number of people in this business with very shortsighted views.

You have to keep the business side together as well as the creative side. We have constantly surprised people and stayed with bands until they have grown on people.

We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.

The small companies who feel that the majors are a threat, or are predators, will use that as an excuse for their eventual downfall. Don't blame others for your own inadequacies.

I like a lot of electronica. I like older jazz rather than newer.

SST was formed to put out the first Black Flag record. Basically, there wasn't anyone else to do it. I felt that what I was doing with Black Flag was very worthwhile, and I wanted to get it out there.

I still think the best metal bands have a blues feel. The first Black Sabbath album is kind of a bludgeoning of blues. Deep Purple also started out as a blues band.

Stores can be indifferent to something new.

I had business experience. I had made my living designing and building electronic equipment. Basic business was not new to me, but the music business was completely new to me. I knew nothing about distribution, or any of those things.

We were excited when we sold our first 10 records. I always felt that if we could get the music out there, and if people became accustomed to it, then a substantial number of them would enjoy it.

I didn't have a lot of overtly political songs. I think it was more the actions of the group that were threatening to the authorities, and also our political philosophies apart from the music.

Most good things happen with time; especially music, which needs time to breathe and to find its own way.

There aren't enough people who are scaring the kind of people who work at these record companies.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.