There's not much music I'll listen to if it doesn't have pretty heavy swing. Rhythm is so important. Punk rock would have more power and feeling if it had swing.

Punk rock really came out of N.Y. as a philosophy before the groups were ever recorded. I had a kind-of intellectual interest in the idea of creating a new scene that could be a grassroots thing.

The REM and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. REM and Nirvana don't sound like anyone else.

Putting out the things that I like best hasn't been the easiest way to run a label, and it still isn't because it requires finding an audience for each record.

There are several books out on punk history, but I haven't read any of them. I was there.

People from major labels were afraid to go to Black Flag gigs throughout most of the band's existence. They treated our gigs as something threatening. I'm sure that it probably was. They probably had reasons to be scared.

As a label, you have to treat every group and every record as a unique entity. I think that that has been our success, rather than relying upon a fan base.

The public is usually slow to catch on to new things, and it's important that musicians stick to their guns and not look for that instant gratification.

The Minutemen were seen as more of an art thing than Black Flag, although I didn't see them that way. It confused people when we put out Saccharine Trust, too.

The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.

If people are really excited about their music, and that's their primary motivation, then that comes through in demo tapes. That's the most important ingredient.

We're not good at propping up old carcasses. We want to be on top of what's vital at any particular time, and not just hold onto something because it has a name.

We've gotten involved in cat rescue - we take them in and find homes for them. I've always loved cats. I saw how homeless cats were living out there. We take them in, put out flyers.

We aren't as concerned about the live aspect as other labels. The best live bands are the easiest to record.

I didn't want to wait around for some business entity to come around and give me money and tell me what to do. We just started releasing records as best we could.

There's not much music I'll listen to if it doesn't have pretty heavy swing. Rhythm is so important. Punk rock would have more power and feeling if it had swing.

I listen to everything that comes in. I'm not real worried about demo sound quality. I can hear through that sort of thing. If a band can play, then they can play.

Black Flag was formed in 1977. We first recorded in 1978.

It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.

The biggest disappointment has been seeing the number of people in this business with very shortsighted views.

You have to keep the business side together as well as the creative side. We have constantly surprised people and stayed with bands until they have grown on people.

We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.

The small companies who feel that the majors are a threat, or are predators, will use that as an excuse for their eventual downfall. Don't blame others for your own inadequacies.

I like a lot of electronica. I like older jazz rather than newer.

SST was formed to put out the first Black Flag record. Basically, there wasn't anyone else to do it. I felt that what I was doing with Black Flag was very worthwhile, and I wanted to get it out there.

I still think the best metal bands have a blues feel. The first Black Sabbath album is kind of a bludgeoning of blues. Deep Purple also started out as a blues band.

Stores can be indifferent to something new.

I had business experience. I had made my living designing and building electronic equipment. Basic business was not new to me, but the music business was completely new to me. I knew nothing about distribution, or any of those things.

We were excited when we sold our first 10 records. I always felt that if we could get the music out there, and if people became accustomed to it, then a substantial number of them would enjoy it.

I didn't have a lot of overtly political songs. I think it was more the actions of the group that were threatening to the authorities, and also our political philosophies apart from the music.

Most good things happen with time; especially music, which needs time to breathe and to find its own way.

There aren't enough people who are scaring the kind of people who work at these record companies.

Without feeling abashed by my ignorance, I confess that I am absolutely unable to say. In the absence of an appearance of learning, my answer has at least one merit, that of perfect sincerity.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

The best compliment to a child or a friend is the feeling you give him that he has been set free to make his own inquiries, to come to conclusions that are right for him, whether or not they coincide with your own.

The feeling remains that God is on the journey, too.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

The methods of peace propaganda which aim at establishing peace doctrine by argument and by creating a feeling favorable to peace in general seem to fall short of reaching the springs of human action and of dealing with the causes of the conduct which they seek to modify.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.

On that road of the informer, it is always night. I cannot ever inform against anyone without feeling something die within me. I inform without pleasure, because it is necessary.

I was as big as I have ever been. I had a personal trainer and was working out. I was feeling good. I was muscular. I had never weighed more than 155 pounds.

Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

Collectively, we must do more than simply watch, with resignation and a feeling of powerlessness, reports on the evening news about the latest terrorist atrocity.

But even if I'm left high and dry at the end of this wild journey, just taking it is a great feeling.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

They must have a feeling of do or die. It is such an overcrowded profession.

You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going.