In nature, light creates the color. In the picture, color creates the light.

Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.

The ability to simplify means to eliminate the unnecessary so that the necessary may speak.

A work of art is a world in itself reflecting senses and emotions of the artist's world.

My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.

It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.

When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.

To worship the product and ignore its development leads to dilettantism and reaction.

Every art expression is rooted fundamentally in the personality and temperament of the artist.

In nature, light creates the color. In the picture, color creates the light.

Painters must speak through paint, not through words.

An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea.

Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.

Art cannot result from sophisticated, frivolous, or superficial effects.

What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.

Colors must fit together as pieces in a puzzle or cogs in a wheel.

Through a painting we can see the whole world.

The whole world, as we experience it visually, comes to us through the mystic realm of color.

The art of pictorial creation is so complicated - it is so astronomical in its possibilities of relation and combination that it would take an act of super-human concentration to explain the final realization.

Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.

Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.

Being inexhaustible, life and nature are a constant stimulus for a creative mind.

It is not the form that dictates the color, but the color that brings out the form.

Color is a plastic means of creating intervals color harmonics produced by special relationships or tensions. We differentiate now between formal tensions and color tensions just as we differentiate in music between counterpoint and harmony.

Being inexhaustible life and nature are a constant stimulus for a creative mind.

To sense the invisible and to be able to create it, that is art.

And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality.

The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.

Christians should never fail to sense the operation of an angelic glory. It forever eclipses the world of demonic powers, as the sun does a candle's light.

The employee is regarded by the employer merely in the light of his value as an operative. His productive capacity alone is taken into account.

In like a dimwit, out like a light.

I don't like to hurt people, I really don't like it at all. But in order to get a red light at the intersection, you sometimes have to have an accident.

I like my coffee light.

So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light.

I'm looking forward to providing the men of Seattle with an evening where they can kick back, light up a cigar and enjoy a night to themselves. Women, we can't technically keep you out, but please stay at home.

The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.

Of all creatures in this visible world, light is the most glorious; of all light, the light of the sun without compare excels the rest.

I am a free man. I feel as light as a feather.

Bright light is injurious to those who see nothing.

Our purpose is simply to ask how theological principles can be shown to have usable secular analogues that throw light upon the nature of language.

Every day some new fact comes to light - some new obstacle which threatens the gravest obstruction. I suppose this is the reason which makes the game so well worth playing.

I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up toward the light. But I was coming to realize that the real magician was light itself.

Treat your friends as you do your best pictures, and place them in their best light.

To light one candle to God and another to the Devil is the principle of wisdom.

Thought the sun is gone, I have a light.

I was relatively technically adept. I can edit and wire up a light.

The high food value of field beans and the shortage of supply due to the light yields of 1915 and 1916 render them of great importance in the regions to which they are adapted.

A piece of wall can be visually disintegrated from the whole into a separate triangle by plunging a diagonal of light from edge to edge on the wall; that is, side to floor, for instance.

There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job.