Matisse was very clear about saying that you have to blow your own trumpet and explain yourself, which I think has been slightly forgotten.

I don't really have a historical overview of my work at all. I'm not an art historian. I don't see that there's this period and that period.

I find old copies of National Gallery catalogues, which are written in the dryest possible prose, infinitely soothing.

In England, it's thought to be morally suspect to worry about what your surroundings look like.

I look at my pictures, and I think, 'Well, how did I do that?'

I don't think you can lightly paint a picture. It's an activity I take very seriously.

I fell through a crack for years. Historically, I am a nothing because I fit in no category. I can only be me.

Collecting has been my great extravagance. It's a way of being. I collect for the same reason that I eat too much-I'm one of nature's shoppers.

My friends tend to be writers. I think writers and painters are really all the same-we just sit in our rooms.

When I finish a painting, it usually looks as surprising to me as to anyone else.

I think that words are often extraneous to what I do.

I once was interviewed and got so exasperated that I said, 'What do you want, a shopping list?' They kept asking, 'What's in this picture?'

Matisse was very clear about saying that you have to blow your own trumpet and explain yourself, which I think has been slightly forgotten.

I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.

A painting is finished when the subject comes back, when what has caused the painting to be made comes back as an object.

I'm very envious of the few artists who are any good and still do portraits.

I want my pictures to be things. I want them to be made up of marks that are physically and individually self-sufficient.

I think words come between the spectator and the picture.

The picture surface recedes just as much in the 20th century as it did in the 15th. The techniques of making pictures have hardly changed.

A collection makes its own demands. Many artists have been collectors. I think of it rather as an illness. I felt it was using up too much energy.

I hate painting.

I don't look at the work of my contemporaries very much; I tend to look at pictures by dead artists. It's much easier to get near their paintings.

You keep on balancing and balancing and balancing until the picture wins, because then the subject's turned into the picture.

In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.

I am happy for people to talk about my pictures, but I wish devoutly that I was not expected to talk about them myself.

My language is what I use, and if I lost that, I wouldn't be able to say anything.

I am isolated as an artist, not as a person.

Almost every wise saying has an opposite one, no less wise, to balance it.

But this is a true saying among men: the gifts of enemies are no gifts and profitless.

I've done a lot of acting. I'm not saying I'm the greatest, but I'd love to act, I'd love to sing.

Let me start by saying, I'm utterly disgusted with the former members of the Dead Kennedys.

That other saying, I'm a part of all that I have met, I think that would have to begin with my wonderful parents back in Atlanta when I was a youngster five years old I was tongue tied.

But clearly at the same time you've got to get out there and connect with voters and actually respond to the needs, the frustrations, whatever problems their now saying are not being adequately solved.

The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.

I am saying pornography hurts anyone who reads it, garbage in, garbage out.

I was in the middle of a crossroads, which is a nice way of saying crisis, physically, emotionally and spiritually. You know the physical part. We just talked about it.

I am a genius. Then it amused me to keep saying so, but now it does not. I expected to be happy sometime. Now I know I shall never be.

A salute from this corner to President Bush for saying he was willing to investigate raising or eliminating the cap on salaries subject to the Social Security tax.

Love in the real world means saying you're sorry 10 times a day.

I had something I was trying to say and sometimes the message is an easy transmission and sometimes it's a difficult one but I love the power of saying it so I'm gonna do it whether it's hard or easy.

And, quite frankly, I fully expected to be charged with murder, because they weren't charging anybody. I did it in terms of, I felt like I was throwing down the gauntlet saying look, this is what happened. There's a family out there that needed to know what happened.

I know I stand visibly onstage, but my function is still unseen, because I rarely see the immediate results of what I am saying or doing or writing.

And before our current legislature adjourns, we intend to become the first state of full and true choice by saying to every low and middle-income Hoosier family, if you think a non-government school is the right one for your child, you're as entitled to that option as any wealthy family; here's a voucher, go sign up.

They give me the money, I give them the book. Having input into the adaptation would be kind of like selling a house and coming back three years later and saying, 'Paint it this color!'

You know it's hard to hear what a bearded man is saying. He can't speak above a whisker.

We had an eyeball-to-eyeball agreement at a restaurant before I came back that, if I came back, he would never talk to me that way again or I was simply saying no.

So, in a way I was hedging and saying that if the Olympic stuff doesn't work out at least I can be a lawyer.

I hadn't even watched '24' before, and the audition was kind of far away. When I got the material, there wasn't a character yet, so it almost seemed like an assistant to Jack Bauer saying, 'Yes, sir. No, sir.'

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.