I want my pictures to be things. I want them to be made up of marks that are physically and individually self-sufficient.

I don't really have a historical overview of my work at all. I'm not an art historian. I don't see that there's this period and that period.

I find old copies of National Gallery catalogues, which are written in the dryest possible prose, infinitely soothing.

In England, it's thought to be morally suspect to worry about what your surroundings look like.

I look at my pictures, and I think, 'Well, how did I do that?'

I don't think you can lightly paint a picture. It's an activity I take very seriously.

I fell through a crack for years. Historically, I am a nothing because I fit in no category. I can only be me.

Collecting has been my great extravagance. It's a way of being. I collect for the same reason that I eat too much-I'm one of nature's shoppers.

My friends tend to be writers. I think writers and painters are really all the same-we just sit in our rooms.

When I finish a painting, it usually looks as surprising to me as to anyone else.

I think that words are often extraneous to what I do.

I once was interviewed and got so exasperated that I said, 'What do you want, a shopping list?' They kept asking, 'What's in this picture?'

Matisse was very clear about saying that you have to blow your own trumpet and explain yourself, which I think has been slightly forgotten.

I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.

A painting is finished when the subject comes back, when what has caused the painting to be made comes back as an object.

I'm very envious of the few artists who are any good and still do portraits.

I want my pictures to be things. I want them to be made up of marks that are physically and individually self-sufficient.

I think words come between the spectator and the picture.

The picture surface recedes just as much in the 20th century as it did in the 15th. The techniques of making pictures have hardly changed.

A collection makes its own demands. Many artists have been collectors. I think of it rather as an illness. I felt it was using up too much energy.

I hate painting.

I don't look at the work of my contemporaries very much; I tend to look at pictures by dead artists. It's much easier to get near their paintings.

You keep on balancing and balancing and balancing until the picture wins, because then the subject's turned into the picture.

In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.

I am happy for people to talk about my pictures, but I wish devoutly that I was not expected to talk about them myself.

My language is what I use, and if I lost that, I wouldn't be able to say anything.

I am isolated as an artist, not as a person.

The painter... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.

Love is a mutual self-giving which ends in self-recovery.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

Lying is the most simple form of self-defence.

Sexual self-restraint is only a preliminary stage in the ego's evolution.

The intelligence of the lower forms of animal life, like a great deal of human intelligence, does not involve a self.

If you improve a teacher's self-esteem, confidence, communication skills or stress levels, you improve that teacher's overall effectiveness across the curriculum.

To free us from the expectations of others, to give us back to ourselves - there lies the great, singular power of self-respect.

I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.

Freeing yourself was one thing; claiming ownership of that freed self was another.

Can anything be so elegant as to have few wants, and to serve them one's self?

Self-justification is a treacherous servant.

To be able to throw one's self away for the sake of a moment, to be able to sacrifice years for a woman's smile - that is happiness.

Oh, God, I struggle with low self-esteem all the time! I think everyone does. I have so much wrong with me, it's unbelievable!

Trust yourself. Create the kind of self that you will be happy to live with all your life. Make the most of yourself by fanning the tiny, inner sparks of possibility into flames of achievement.

The best executive is one who has sense enough to pick good people to do what he wants done, and self-restraint enough to keep from meddling with them while they do it.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

Housework is work directly opposed to the possibility of human self-actualization.

Having a sense of purpose is having a sense of self. A course to plot is a destination to hope for.

But I tend to think of the expressive part of me as rather tedious - never curious or responsive, but blind and self-serving.

And partly, the worst thing you could do in my family was need something from someone. So physical strength represented an avenue of self-sufficiency to me.

I think it is important to maintain a sense of self and confidence, not letting either falter for the sake of a particular part or project, no matter how great it might be.