With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.

First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.

And when that's working, the sum can be greater than the parts.

I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in trouble with the police at some truck stop on 95 in Connecticut.

And I definitely have an affinity with the piano.

For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.

Yes, I was forced to take piano lessons for 8 years as a child.

I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.

But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.

And I think that I'd be a natural for scoring horror movies.

Also, differences of opinion can be creatively stimulating as well as frustrating.

When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.

In scoring, I usually start with a sound or group of sounds, searching out what feels right.

And I don't know where I'm heading. I mean, I've got a pretty good idea of what I want in life.

But in my college years it got to the point where my friends and I didn't do anything without consuming a massive amount of alcohol before we went anywhere or did anything, and you know that.

I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.

So, through playing with Cop I realized that there is a potentially interested audience out in the world.

But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.

I'm from all over the Northeast.

I actually went to film school and was making experimental films for a short time, so it wasn't such a leap.

But things can happen in a band, or any type of collaboration, that would not otherwise happen.

As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.

If the finest hour is now, then I'll always be in it.

I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.

I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.

Then I took 8 years of French Horn, first jazz, and then classical.

I grew up outside of DC, New York state, and Connecticut.

Unfortunately, however, I have too many desires to make a good Buddhist.

I'm just like you, only I'm different because I'm me.

With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.

I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

My father was a police officer before he retired. One of my brothers is also a police officer, and I think they kind of expected I would do something along those lines, like become a fireman or something.

Our most bitter enemies are our own kith and kin. Kings have no brothers, no sons, no mother!

And Big Night, I think by the end the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

Politics is too partisan, and sometimes patriotism is cast aside. Patriotism is honor and love of your country and your brothers and sisters. With politics I get the impression that it's all about what's good for the party and not necessarily what's good for the country.

We're brothers and we all look after each other. If one person falls down, the rest of the team is going to be there to pick him up. We just work hard together to get it done.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

My actions to promote peace, the mediation missions which I carried out during many conflicts, which very often occurred between brothers of the same country, are not driven by any ulterior motives or any calculations based on personal ambitions.

Both my brothers became physicians and I, of course, wandered into a business where the undisciplined are welcome.

Big sisters and brothers... I am telling you, it never changes.

My daddy expected that my brothers and I and our generation would make the world a better place. He had lived in an America of continual social progress.

My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.

Rock 'n' roll offered me a platform to speak what I felt. It also offered me a platform to support my mama and my brothers and sisters - twelve children.

Ye are brothers, ye are men, and we conquer but to save.

If physical death is the price that I must pay to free my white brothers and sisters from a permanent death of the spirit, then nothing can be more redemptive.

Those are the same stars, and that is the same moon, that look down upon your brothers and sisters, and which they see as they look up to them, though they are ever so far away from us, and each other.

Either men will learn to live like brothers, or they will die like beasts.