But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.

First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.

And when that's working, the sum can be greater than the parts.

I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in trouble with the police at some truck stop on 95 in Connecticut.

And I definitely have an affinity with the piano.

For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.

Yes, I was forced to take piano lessons for 8 years as a child.

I like to think that my finest hour is still ahead of me, so I can look forward rather than look backward.

But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.

And I think that I'd be a natural for scoring horror movies.

Also, differences of opinion can be creatively stimulating as well as frustrating.

When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.

In scoring, I usually start with a sound or group of sounds, searching out what feels right.

And I don't know where I'm heading. I mean, I've got a pretty good idea of what I want in life.

But in my college years it got to the point where my friends and I didn't do anything without consuming a massive amount of alcohol before we went anywhere or did anything, and you know that.

I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.

So, through playing with Cop I realized that there is a potentially interested audience out in the world.

But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.

I'm from all over the Northeast.

I actually went to film school and was making experimental films for a short time, so it wasn't such a leap.

But things can happen in a band, or any type of collaboration, that would not otherwise happen.

As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.

If the finest hour is now, then I'll always be in it.

I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.

I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.

Then I took 8 years of French Horn, first jazz, and then classical.

I grew up outside of DC, New York state, and Connecticut.

Unfortunately, however, I have too many desires to make a good Buddhist.

I'm just like you, only I'm different because I'm me.

With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.

I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives.

The painter... does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.

Love is a mutual self-giving which ends in self-recovery.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

Lying is the most simple form of self-defence.

Sexual self-restraint is only a preliminary stage in the ego's evolution.

The intelligence of the lower forms of animal life, like a great deal of human intelligence, does not involve a self.

If you improve a teacher's self-esteem, confidence, communication skills or stress levels, you improve that teacher's overall effectiveness across the curriculum.

To free us from the expectations of others, to give us back to ourselves - there lies the great, singular power of self-respect.

I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.

Freeing yourself was one thing; claiming ownership of that freed self was another.

Can anything be so elegant as to have few wants, and to serve them one's self?

Self-justification is a treacherous servant.

To be able to throw one's self away for the sake of a moment, to be able to sacrifice years for a woman's smile - that is happiness.

Oh, God, I struggle with low self-esteem all the time! I think everyone does. I have so much wrong with me, it's unbelievable!

Trust yourself. Create the kind of self that you will be happy to live with all your life. Make the most of yourself by fanning the tiny, inner sparks of possibility into flames of achievement.

The best executive is one who has sense enough to pick good people to do what he wants done, and self-restraint enough to keep from meddling with them while they do it.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

Housework is work directly opposed to the possibility of human self-actualization.