In Count Julian I simply proposed to create a text which would allow for diverse levels of reading.

A contemporary artist can use the findings of all epochs and all styles, from the most primitive literary expressions up to the most refined products of the baroque.

In times when religious or political faith or hope predominates, the writer functions totally in unison with society, and expresses society's feelings, beliefs, and hopes in perfect harmony.

As I began to discover my own truth and endeavored to possess it with clarity, I became more and more alienated from that which my companions held, or professed to hold.

And with each day that passed, the gulf broadened and my isolation became more accentuated. In such a situation, the discovery that my experience was not unique, that it had also been that of other Spanish intellectuals, became very important for me.

The writer cannot abandon himself simply to inspiration, and feign innocence vis a vis language, because language is never innocent.

In Count Julian I simply proposed to create a text which would allow for diverse levels of reading.

Marks of Identity is, among other things, the expression of the process of alienation in a contemporary intellectual with respect to his own country.

But the Spain which emerged around 1960, beginning with its economic miracle, created by the invasion of tourists, can no longer result in impassioned dedication on the part of its intellectuals, and even less on the part of foreign intellectuals.

When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.

And it is because a series of elements in Spanish life which operate today the same way as they did in the times of Blanco White made obvious my relationship with him, based on a similarity in Spain's condition.

In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.

My exile was not only a physical one, motivated exclusively by political reasons; it was also a moral, social, ideological and sexual exile.

I not only lived physically away from my native land, but the values and critical judgments of those closest to me became stranger and stranger.

In the Europe which was created by the Second World War, divided into two blocks, each in need of a revolution that would end the abuses and injustices of capitalism and the privileges of a bureaucratic caste, collective faith does not exist.

For a country is not merely a piece of earth; it is, above all, a compendium of social, cultural, and historical factors which begin to acquire sense and order through the process of writing.

The fundamental purpose of a novel like Count Julian is to achieve the unity of object and means of representation, the fusion of treason as scheme and treason as language.

What the war did was give me the opportunity of three years of continuous reading, and it was in the course of reading that I became convinced that I should become an economist.

It is a common temptation of Satan to make us give up the reading of the Word and prayer when our enjoyment is gone; as if it were of no use to read the Scriptures when we do not enjoy them, and as if it were no use to pray when we have no spirit of prayer.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

The greatest gift is the passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind. It is a moral illumination.

I had plenty of pimples as a kid. One day I fell asleep in the library. When I woke up, a blind man was reading my face.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun.

I was reading the poems of Rochester. Rochester made himself out to be bisexual, but I think that was only to shock. Most of his poetry is sexual, even pornographic.

I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

I was reading a book... 'the history of glue' - I couldn't put it down.

Dr. Phil was very helpful and caring. I believe he helped all of us there and watching how to better relate, understand, and communicate with our families and loved ones. Dr. Phil recommended reading my new book.

No entertainment is so cheap as reading, nor any pleasure so lasting. She will not want new fashions nor regret the loss of expensive diversions or variety of company if she can be amused with an author in her closet.

A book worth reading is worth buying.

I don't think anyone wants a reader to be completely lost - certainly not to the point of giving up - but there's something to be said for a book that isn't instantly disposable, that rewards a second reading.

Reading is a basic tool in the living of a good life.

Every single pleasure I can imagine or have experienced is more delightful, more of a pleasure, if you take it in small sips, if you take your time. Reading is not an exception.

It is to be deeply regretted that the clergymen would oppose an effort to teach the people the Bible truths; nevertheless, we find much opposition everywhere, and many clergymen will attempt to prevent the people from reading what is here written.

You didn't hear the angels singing. It was brought down to Mother Earth, which is where it should be. And that led me to a lot of other reading.

Reading is an activity subsequent to writing: more resigned, more civil, more intellectual.

Language is the soul of intellect, and reading is the essential process by which that intellect is cultivated beyond the commonplace experiences of everyday life.

For whatever reason, people, including very well-educated people or people otherwise interested in reading, do not read poetry.

Reading a novel of a private experience, very, very different, the nature of it is very different.

No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

Reading makes immigrants of us all. It takes us away from home, but more important, it finds homes for us everywhere.

The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.

I still can't decide which is more fun - reading or writing.

Reading isn't good for a ballplayer. Not good for his eyes. If my eyes went bad even a little bit I couldn't hit home runs. So I gave up reading.

It sounds extraordinary but it's a fact that balance sheets can make fascinating reading.

There are worse crimes than burning books. One of them is not reading them.

In the book, I write about children in first grade who were taught to read by reading want ads. They learned to write by writing job applications. Imagine what would happen if anyone tried to do that to children in a predominantly white suburban school.

Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.

Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading.