I remember when my mother pointed to a stone, and she said this was the kind of stone people used to place on the feet of the baby girls to stop them trying to climb away and unbind their feet.

In certain areas where the media are still controlled, the changes have come to a halt, which is a very frustrating situation. I would like the changes to take place throughout China.

China is more prosperous than before. The people have better lives but they are not happy and confident because the scars are still there.

I no longer have the terrible nightmares that I used to have. Mao had just died in 1976, and China began to open up. For the first time scholarships to go to the West to study were awarded on academic merit.

I feel perhaps my heart is still in China.

I always wanted to be a writer.

I remember when my mother pointed to a stone, and she said this was the kind of stone people used to place on the feet of the baby girls to stop them trying to climb away and unbind their feet.

What has marked Chinese society is its level of cruelty, not just revolutions and wars. We ought to reject it totally, otherwise in another upheaval there will be further cruelty.

It's taken us 10 years, and it was constant excitement. I was constantly shocked by how evil he could be. Mao was very, very shrewd but he didn't have human feeling.

While I was writing Wild Swans I thought the famine was the result of economic mismanagement but during the research I realised that it was something more sinister.

When I was in China, Mao was Chairman, and parents were terrified to tell their children anything that differed from the party line in case the children repeated it and endangered the whole family.

For anyone to open their heart, they need the right atmosphere, and something to prompt them. For my mother it was her trip abroad: she was in a very relaxed, understanding environment. I was very sympathetic towards her.

The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings.

I was not allowed to take notes but my friend and I memorised those two and a half pages. Most people talked to me because of the warning. They knew this book was not going to be the official line.

At the age of fifteen my grandmother became the concubine of a warlord general.

We were not treated by our own government as proper human beings and consequently, some outsiders did not regard us as the same kind of humans as themselves.

If children were brought up to become non-conformists it would only ruin their lives. So parents all over China who loved their children told them to do as Chairman Mao said. It was not possible to tell them anything else.

Although my book is banned I am still allowed to go to China and travel. There is no longer the kind of control that Mao used to have-there have been deep fundamental changes in society.

I like to have Chinese furniture in my home as a constant and painful reminder of how much has been destroyed in China. The contrast between the beauty of the past and the ugliness of the modern is nowhere sharper than in China.

I would love mainland Chinese to read my book. There is a Chinese translation which I worked on myself, published in Hong Kong and Taiwan. Many copies have gone into China but it is still banned.

I think because of their terrible past, particularly this century, the Chinese have come to accept cruelty more than many other people, which is something I feel very unhappy about.

I think we will have a boy baby and he will be born on the 20th of August. Everyone else has a girl baby and at times I don't believe I should mind having a little Phyllis Dawn but Dearest wants a boy and I do.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

This country has come to feel the same when Congress is in session as when the baby gets hold of a hammer.

I don't like my hockey sticks touching other sticks, and I don't like them crossing one another, and I kind of have them hidden in the corner. I put baby powder on the ends. I think it's essentially a matter of taking care of what takes care of you.

Babies don't need a vacation, but I still see them at the beach... it pisses me off! I'll go over to a little baby and say 'What are you doing here? You haven't worked a day in your life!'

Having a baby dragged me, kicking and screaming, from the world of self-absorption.

I didn't have any problem bonding with Honey, but I was plagued with insecurities about my ability to bring up my baby.

I got introduced to audiobooks because of having a baby.

I've been chased through airports with a screaming baby because the photographers are ruthless, and they want the picture.

The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I'd be thinking about going back to set on Monday just to see the baby.

But at the same time that the experience is pulling you apart, it's also bonding you. You have this joint venture! You both made this baby. And that's the thing I still can't get over.

My father always wanted to be the corpse at every funeral, the bride at every wedding and the baby at every christening.

I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.

Yes, I've kissed a lot of guys. I like to kiss, but that's it. I don't go home with anyone. I sleep with my animals, like my baby monkey, Brigitte Bardot.

Carrying a baby is the most rewarding experience a woman can enjoy.

If we intensify our efforts we can have a cloned baby within a year or two, but I don't know whether we can intensify our efforts to that extent. We're not really under pressure to deliver a cloned baby to this world. What we are under pressure to do is to deliver a cloned baby that is a healthy one.

And when our baby stirs and struggles to be born it compels humility: what we began is now its own.

My father described me as the oldest baby he'd ever seen. I apparently was very serious and reflective.

Nobody took me too seriously but I was grown up even as a baby.

I stand on the sidewalk watching it because the responsibility is mine and I must, I take a very firm hold on the handles of the baby carriage and I wheel it into the traffic.

I'm a working stiff, baby, just like everybody else.

It's a huge change for your body. You don't even want to look in the mirror after you've had a baby, because your stomach is just hanging there like a Shar-Pei.

When I was a kid, I was surrounded by girls: older sisters, older girl cousins just down the street... except for an older boy named Vito who threw rocks. Each year I would wish for a baby brother. It never happened.

I can write, He floated up to the ceiling, and a baby rabbit came out of his pocket, grew wings, and flew away. And you will believe that it really happened. That's magic, isn't it?

For the first time I feel an inner emotional security. There is reality and dependability. My life revolves around Richard and the baby.

I have a little baby. She knows who I am. My friends know. My family knows.