I think right now in the world we're feeling like there's no solid ground beneath our feet, you know?

In their 30s women really start to live... they're not children anymore, and they're not just mothers.

My idols are all older.

All I really want to do is entertain people out there sitting in the dark and for them to believe it.

That's where I got my start and where I'll continue to work, but I can't tell you the number of films between Drugstore Cowboy and Curly Sue that I auditioned for and wanted that didn't choose me.

I can't wait til I get the chance to be a character and how my face looks isn't the first consideration.

You learn your text and have it in the back of your head, without a thought as to how you're going to say it.

The worst thing would be for them to find out who I really am, because that's where I hide.

I think right now in the world we're feeling like there's no solid ground beneath our feet, you know?

You know, I change my hair color a lot, I do all sorts of different things.

In a collaborative environment directors hire actors because they want their input, not just their bodies.

Well, I'm a consumer as well. I go to the movies with my popcorn and believe everything I see.

The least consideration of any film I've ever worked on is who is right for it.

You look at Gone With the Wind, how right Vivian Leigh was for that. Don't know if that would happen today.

Yeah, I do feel badly sometimes, not for whose coming up and getting roles I'm not right for anymore but the people I compete with, who range from Uma Thurman on up.

But actors at a certain point take the best of what's available to them.

I just think we're living in a time of massive, amazing change, like the Industrial Revolution on acid.

I've been overwhelmed; I was a single mother for a time.

I don't care what people's myths are about me.

It's important for me to see as many colors in the character as possible.

I mean, I always feel incredibly lucky to get a job.

Cause I won't repeat myself, the way I dress and look.

If it's independent, it's because I love it... 'cause they usually end up costing me money to do.

I like to show as much of a woman as I can. I like to fill things out.

It's part of the fun of it to work with strong personalities.

The fact that I got Drugstore Cowboy at all was a fluke.

I make a good living and I've never looked at myself as being an artiste.

My whole career is based on taking a left turn after each film and doing the opposite of what I've just done.

And sometimes I do films so my daughter can see me work.

Most movie stars don't change their look at all.

I do come shackled with whatever people think I am.

Well, for someone who looks like me you wonder where Alfred Hitchcock is.

Without feeling abashed by my ignorance, I confess that I am absolutely unable to say. In the absence of an appearance of learning, my answer has at least one merit, that of perfect sincerity.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

The best compliment to a child or a friend is the feeling you give him that he has been set free to make his own inquiries, to come to conclusions that are right for him, whether or not they coincide with your own.

The feeling remains that God is on the journey, too.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

The methods of peace propaganda which aim at establishing peace doctrine by argument and by creating a feeling favorable to peace in general seem to fall short of reaching the springs of human action and of dealing with the causes of the conduct which they seek to modify.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.

On that road of the informer, it is always night. I cannot ever inform against anyone without feeling something die within me. I inform without pleasure, because it is necessary.

I was as big as I have ever been. I had a personal trainer and was working out. I was feeling good. I was muscular. I had never weighed more than 155 pounds.

Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

Collectively, we must do more than simply watch, with resignation and a feeling of powerlessness, reports on the evening news about the latest terrorist atrocity.

But even if I'm left high and dry at the end of this wild journey, just taking it is a great feeling.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

They must have a feeling of do or die. It is such an overcrowded profession.

You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going.