I'm happy that I'm alive. I feel like someone coming back from Vietnam, you know; I'm sure that later on I'll start killing people in a square somewhere, but right now, I just feel happy to be alive.

Far be it from me to force anyone into either chess or dressage, but if you choose to do so yourself, in my opinion there is only one way: follow the rules.

I had an almost fetishistic attraction to film technology.

I sit there pouring out my woes year after year, coming up with one enormity after another about my mother and the way she let me down; but it doesn't make me any the less fearful.

I always do something that I've never done before.

You could say that when you introduce humour to your work, you also step back a little from it. You create a distance.

I'm happy that I'm alive. I feel like someone coming back from Vietnam, you know; I'm sure that later on I'll start killing people in a square somewhere, but right now, I just feel happy to be alive.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me.

Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work.

I grew up in a culturally radical home, where strong emotions were forbidden.

That's the great thing about entering a convent: There are things that you simply can't do, so you don't have to worry about them.

If one devalues rationality, the world tends to fall apart.

I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.

When I was younger, I was fascinated by David Bowie, for example. he had created an entire myth around himself. It was as important as his music.

It's always been a lie that it's difficult to make films.

I'm having a vacation, and it's so beautiful, and maybe I'll never get another film idea in my life.

Actors need bricks to play with, and in fact we rejected all the improvised fragments we had made without a plan. Improvisation without a plan is like tennis without tennis balls.

When I was in film school, it was said that all good films were characterised by some form of humour.

More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.

Basically, I'm afraid of everything in life, except filmmaking.

I am not very tough with raising my children, but you can argue that to be more tough will help your children.

I know that I cannot be with a person for three hours without saying at least ten things that would kill me.

I would say that I am a poor Christian; I'm not a believer. It was this idea very early in my life that life on Earth, nature or man could not be a creation of a merciful God.

If you want to provoke, you should provoke someone who is stronger than you, otherwise you are misusing your power.

My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.

Political correctness kills discussion.

When I show a film at a festival, I am showing myself. Everything is at stake for me.

You know, I really do have some morals. I do actually care about people. And I do have a political standpoint.

This is the patent age of new inventions for killing bodies, and for saving souls. All propagated with the best intentions.

Just able barely to mount a horse and ride about a little in the spring of 1866, my life was threatened daily, and I was forced to go heavily armed. The whole country was then full of militia, robbing, plundering and killing.

In the First World War, there was the sudden passion of nationalism, and the killing took place because of these emotions. But the Soviet case is different, because you had systematic murder, like the Holocaust.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

I need to die for the killing of those people.

But when I don't smoke I scarcely feel as if I'm living. I don't feel as if I'm living unless I'm killing myself.

You are dealing with people who have taken the responsibility of killing their own because they think that they are right, they think that they are serving the interests of their people. They not going to give that up easily, just because you've shown up.

I didn't want to kill a man. I'm not capable of killing a man. I wanted to kill a tyrant.

The person who is bent on killing you will follow you wherever you are.

So what if I'm smokin' weed onstage and doing what I gotta do? It's not me shooting nobody, stabbing nobody, killing nobody. It's a peaceful gesture and they have to respect that and appreciate that.

The art of creation is older than the art of killing.

Let me say this as clearly as I can: No matter how sharp a grievance or how deep a hurt, there is no justification for killing innocents.

I would, therefore, say that for no reason whatsoever, except in self-defence, should one think of killing any animal.

Unhappiness is not knowing what we want and killing ourselves to get it.

We're in an illusion about what our role is in world politics and foreign affairs, and our policies are killing and destroying and doing a lot of things that we are not aware of.

Unprovoked attacks on Israel's borders, murdering Israeli soldiers, taking Israeli hostages and showering rockets targeting and killing Israeli civilians are not furthering any legitimate goal.

War may sometimes be a necessary evil. But no matter how necessary, it is always an evil, never a good. We will not learn how to live together in peace by killing each other's children.

I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing.

I might talk about killing people, but that doesn't mean I do it.

The majority of Aboriginals do not want handouts because they realise that welfare is killing them.

Men killing other men really is an extraordinary phenomenon. Why does it happen? And how long has it gone on? And have the motives changed?