By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.

Improvisation is terribly haphazard.

Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get.

Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.

To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision.

Of all the arts, music is really the most abstract.

It doesn't necessarily mean at all that the composer plays his own works best.

A person improvising is sometimes very fortunate that just at that second things coincide.

I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.

I think there have been some periods when the writing almost became a bit of a burden.

Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.

You write it down because finally, when it's written down you do get it out of your system somewhat.

Hopefully, I have a certain amount of what you call musical talent.

I distrust anything that you don't hear.

By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.

We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising.

But in the end, music is ultimately an aural art, pure and simple.

Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.

No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.

By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There's no specific line, as you know.

When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.

In writing music, the structure of each piece is a very important factor.

Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether.

Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.

Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.

The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.

There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.

I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing.

It doesnt necessarily mean at all that the composer plays his own works best.

Insecurity is love dressed in a child's clothing.

I do not think we are ever going to be able to, for a long time, get the kind of quality of school personnel that we need in our schools, especially in the areas of science and math. One of the answers to that problem is to use more educational technology.

We've let the blade of our innocence dull over time, and it's only in innocence that you find any kind of magic, any kind of courage.

Some people find an interest in making money, and though they appear to be slaving, many actually enjoy every minute of their work.

Unforgiveness is like drinking poison yourself and waiting for the other person to die.

We all have to lead double lives, not just celebrities. The face we put on publicly with our jobs and certain situations. I think that's part of the human condition.

You know a lot of times wrestlers get too full of themselves. They can't separate themselves from the characters. They get used to the excitement, the energy, the lifestyle and the money and with a lot of these guys, when it stops, they self-destruct.

I'm an ambassador for the Make-A-Wish Foundation, and one of the children, his wish was to go to the Emmys, so he's going to be my date, along with my husband, and my dad and his girlfriend. So we're going to have a really fun night and it's going to be really exciting. I'm really excited for him to experience that.

Our virtues are often, in reality, no better than vices disguised.

I'd give my life to be the national team coach.

Trust your own instinct. Your mistakes might as well be your own instead of someone elses.

Sometimes people ask me why I began perestroika. Were the causes basically domestic or foreign? The domestic reasons were undoubtedly the main ones, but the danger of nuclear war was so serious that it was a no less significant factor.

Friends Are People You Feel Comfortable Around. Best Friends Are People You Can Be Yourself With.

Rule of thumb: Eat for what you're going to be doing, and not for what you have done. Don't take in more than you're willing to burn off.

We cannot glimpse the essential life of a caged animal, only the shadow of its former beauty.

I don't think my mother and father ever had any doubts about what I was to be punished for or not. My parents come from a very strictly defined culture.

Love is based on imagination.

It's morally wrong to allow a sucker to keep his money.

It takes most men five years to recover from a college education, and to learn that poetry is as vital to thinking as knowledge.