I distrust anything that you don't hear.

Improvisation is terribly haphazard.

Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get.

Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.

To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision.

Of all the arts, music is really the most abstract.

It doesn't necessarily mean at all that the composer plays his own works best.

A person improvising is sometimes very fortunate that just at that second things coincide.

I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.

I think there have been some periods when the writing almost became a bit of a burden.

Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.

You write it down because finally, when it's written down you do get it out of your system somewhat.

Hopefully, I have a certain amount of what you call musical talent.

I distrust anything that you don't hear.

By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.

We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising.

But in the end, music is ultimately an aural art, pure and simple.

Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.

No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.

By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There's no specific line, as you know.

When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.

In writing music, the structure of each piece is a very important factor.

Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether.

Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.

Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.

The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.

There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.

I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing.

It doesnt necessarily mean at all that the composer plays his own works best.

But I think one of the reasons I tend to stay in the water most of the time is I distrust the comfort.

Set the foot down with distrust on the crust of the world - it is thin.

We should distrust any enterprise that requires new clothes.

The chief lesson I have learned in a long life is that the only way you can make a man trustworthy is to trust him; and the surest way to make him untrustworthy is to distrust him.

The older I grow the more I distrust the familiar doctrine that age brings wisdom.

I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.

We have to distrust each other. It is our only defense against betrayal.

However greatly we distrust the sincerity of those we converse with, yet still we think they tell more truth to us than to anyone else.

When you disarm the people, you commence to offend them and show that you distrust them either through cowardice or lack of confidence, and both of these opinions generate hatred.

Distrust and caution are the parents of security.

What we need is not more distrust and division. What we need now is acceptance.

The state has, in order to control us, introduced division into our thinking, so that we come to distrust others and look to the state for protection.

Distrust of authority should be the first civic duty.

While these attitudes are more visible when direct- ed at government, there is ample evidence that many working people distrust their own union as much as they do the corporation they work for.

Princess Rose should indeed be a TV movie, assuming something doesn't go wrong. I don't know how good a movie it will be, because the way movie folk think is different from the way writers think, and I distrust what isn't done my way. This is what I call a healthy paranoia.

You feel yourself working to show something. I've learned to distrust that feeling.

I believed that I was being forced to sacrifice my family and my career in defense of the Communist Party, from which I had long been separated and which I had grown to dislike and distrust.

Distrust all those who love you extremely upon a very slight acquaintance and without any visible reason.

The resistance of policy-makers to intelligence is not just founded on an ideological presupposition. They distrust intelligence sources and intelligence officials because they don't understand what the real problems are.