I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.

Record covers helped me discover a lot of music that I wasn't aware of.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

I didn't expect us to be around after 25 years.

I'm not particularly prolific.

It creates a conflict of interest - what songs would I use for me, and what would I use for the band.

I will be the focal point for however long I decide to play. Half of me likes that idea and half of me doesn't, but once the adrenaline kicks in, I'll probably really enjoy it.

Anything that I write comes from the soul.

I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.

I lead two totally separate lives. There are times when I have to slip into rock star mode.

The majority of the time I'm at home with my family, I play football three times a week.

I don't write poems and put them to music. Just let things flow.

I tend to like songs that are very emotional, that strike a chord with me emotionally.

There are definite reference points to older Depeche Mode records.

I like their darkness but I also like the pop-side of the Velvet Underground.

When people meet me I think they're surprised to find out I'm not always angst-ridden.

I wasn't ever a massive David Essex fan, but I liked a few of his tracks, and Stardust was one of them.

There haven't been many credible electronic covers records.

Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.

Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.

I didn't write songs for a very long time.

I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.

Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.

I always hate explaining away songs, because for me they mean something, and for other people, they'll mean something absolutely different.

People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.

As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.

I even have nephews who make music, my daughter makes music. I don't know what advice to give them these days. It's really a tough industry to break into.

If you took music out of my life, I don't know what I'd do. It's the one thing that I have a real passion for.

Kids today don't know that much about vinyl.

Technology is a bit of a double-edged sword. Used right, it's a wonderful tool, but unfortunately, it makes it easier for a lot of mediocre people to get really crappy ideas out.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.