I don't write poems and put them to music. Just let things flow.

Record covers helped me discover a lot of music that I wasn't aware of.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

I didn't expect us to be around after 25 years.

I'm not particularly prolific.

It creates a conflict of interest - what songs would I use for me, and what would I use for the band.

I will be the focal point for however long I decide to play. Half of me likes that idea and half of me doesn't, but once the adrenaline kicks in, I'll probably really enjoy it.

Anything that I write comes from the soul.

I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.

I lead two totally separate lives. There are times when I have to slip into rock star mode.

The majority of the time I'm at home with my family, I play football three times a week.

I don't write poems and put them to music. Just let things flow.

I tend to like songs that are very emotional, that strike a chord with me emotionally.

There are definite reference points to older Depeche Mode records.

I like their darkness but I also like the pop-side of the Velvet Underground.

When people meet me I think they're surprised to find out I'm not always angst-ridden.

I wasn't ever a massive David Essex fan, but I liked a few of his tracks, and Stardust was one of them.

There haven't been many credible electronic covers records.

Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.

Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.

I didn't write songs for a very long time.

I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.

Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.

I always hate explaining away songs, because for me they mean something, and for other people, they'll mean something absolutely different.

People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.

As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.

I even have nephews who make music, my daughter makes music. I don't know what advice to give them these days. It's really a tough industry to break into.

If you took music out of my life, I don't know what I'd do. It's the one thing that I have a real passion for.

Kids today don't know that much about vinyl.

Technology is a bit of a double-edged sword. Used right, it's a wonderful tool, but unfortunately, it makes it easier for a lot of mediocre people to get really crappy ideas out.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.