I'm not particularly prolific.

Record covers helped me discover a lot of music that I wasn't aware of.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

I didn't expect us to be around after 25 years.

I'm not particularly prolific.

It creates a conflict of interest - what songs would I use for me, and what would I use for the band.

I will be the focal point for however long I decide to play. Half of me likes that idea and half of me doesn't, but once the adrenaline kicks in, I'll probably really enjoy it.

Anything that I write comes from the soul.

I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.

I lead two totally separate lives. There are times when I have to slip into rock star mode.

The majority of the time I'm at home with my family, I play football three times a week.

I don't write poems and put them to music. Just let things flow.

I tend to like songs that are very emotional, that strike a chord with me emotionally.

There are definite reference points to older Depeche Mode records.

I like their darkness but I also like the pop-side of the Velvet Underground.

When people meet me I think they're surprised to find out I'm not always angst-ridden.

I wasn't ever a massive David Essex fan, but I liked a few of his tracks, and Stardust was one of them.

There haven't been many credible electronic covers records.

Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.

Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.

I didn't write songs for a very long time.

I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.

Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.

I always hate explaining away songs, because for me they mean something, and for other people, they'll mean something absolutely different.

People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.

As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.

I even have nephews who make music, my daughter makes music. I don't know what advice to give them these days. It's really a tough industry to break into.

If you took music out of my life, I don't know what I'd do. It's the one thing that I have a real passion for.

Kids today don't know that much about vinyl.

Technology is a bit of a double-edged sword. Used right, it's a wonderful tool, but unfortunately, it makes it easier for a lot of mediocre people to get really crappy ideas out.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.

I agree with Marjorie Rosen's good psychological analysis of my acting ability.

I feel like unforgiveness, bitterness and resentment, it blocks the flows of God's blessings in life.

I would say people remember me from 'Life Goes On' more than anything.

When I graduated high school, I bought a guitar and, at first, didn't really think I'd get into the songwriting thing as much as I did. But after learning a few songs of other people's to play on the guitar, I got bored with that and just started writing songs on my own, and that's kinda how it came about.

I think we should all talk to our enemies and talk to our friends. Talk! That's the only way we'll find solutions.

We can't gather the intelligence we need to foil future attacks, if we are blindly granting terrorists the right to remain silent. But for some reason, we've already done that - with the terrorist who tried to bring down Flight 253.

I'm an L.A. girl who became a tough New York cop.

I agree that Ruskin has done much harm to counter balance much good in giving people the trick of talking about Art instead of really doing a little of it to enable them to understand.

Word-of-mouth marketing is a crucial component of organic growth for startups and one of the primary ways that Weebly has grown to over 15 million customers.

Living in a small town is like living in a large family of rather uncongenial relations. Sometimes it's fun, and sometimes it's perfectly awful, but it's always good for you. People in large towns are like only-children.

Civilization is a limitless multiplication of unnecessary necessities.

If it's boring, then it's tiring.

My parents had this relationship that was really terrifying. I mean, the level of hatred that they had, and the level of physical abuse - my mother would beat up my father, basically - and I think I was drawn to images on television that were bright and reflective.

I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.

Street-casting - people like Katie Jarvis in 'Fish Tank,' spotted having a row with her boyfriend on a railway platform - has helped make actors raise their game. They have to.

I think the most important thing about coaching is that you have to have a sense of confidence about what you're doing.

I've never been a girly-girl, never drawn to things that are fussy.