I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.

Record covers helped me discover a lot of music that I wasn't aware of.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

I didn't expect us to be around after 25 years.

I'm not particularly prolific.

It creates a conflict of interest - what songs would I use for me, and what would I use for the band.

I will be the focal point for however long I decide to play. Half of me likes that idea and half of me doesn't, but once the adrenaline kicks in, I'll probably really enjoy it.

Anything that I write comes from the soul.

I sit down and create atmospheres, start playing guitar or piano and just sing whatever comes out of my mouth.

I lead two totally separate lives. There are times when I have to slip into rock star mode.

The majority of the time I'm at home with my family, I play football three times a week.

I don't write poems and put them to music. Just let things flow.

I tend to like songs that are very emotional, that strike a chord with me emotionally.

There are definite reference points to older Depeche Mode records.

I like their darkness but I also like the pop-side of the Velvet Underground.

When people meet me I think they're surprised to find out I'm not always angst-ridden.

I wasn't ever a massive David Essex fan, but I liked a few of his tracks, and Stardust was one of them.

There haven't been many credible electronic covers records.

Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.

Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.

I didn't write songs for a very long time.

I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.

Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.

I always hate explaining away songs, because for me they mean something, and for other people, they'll mean something absolutely different.

People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song.

As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.

I even have nephews who make music, my daughter makes music. I don't know what advice to give them these days. It's really a tough industry to break into.

If you took music out of my life, I don't know what I'd do. It's the one thing that I have a real passion for.

Kids today don't know that much about vinyl.

Technology is a bit of a double-edged sword. Used right, it's a wonderful tool, but unfortunately, it makes it easier for a lot of mediocre people to get really crappy ideas out.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

If you give it good concentration, good energy, good heart and good performance, the song will play you.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I guess a good song is a good song is a good song, ya know.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Peace Train is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

I have eighteen titles in the German language. I had a number one song in 1965.

Listen kid, take my advice, never hate a song that has sold half a million copies.

There's a lot of rage... you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.