I probably wrote three-quarters of the songs without an instrument in my hands.

I'm always making a conscious effort to be viable and accessible.

The best thing you've got going for you is individuality.

It's fun to sing sad songs. And it's fun to listen to sad songs. Enjoyable. Satisfying. Something.

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.

I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.

As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself.

I like the idea of playing in unison with yourself.

I try to make songs visual and tactile to kind of put you into the action.

I just like to entertain myself by sitting down and writing songs.

I probably wrote three-quarters of the songs without an instrument in my hands.

You want the audience to be uncomfortable.

What I wanted to hear didn't exist, so it was necessary for me to go out and create it.

The thing I do, really, is a communication with audiences more than any achievement through records.

I think the reason kids get into drugs and smoking is they don't have anything to do.

Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists.

There's a part of me that wishes I'd never said one single solitary word on any subject publicly. Then I could have been the tortured poet, and there's so much mileage in that. But it's too late to stop now.

People want to hear about the extremes of human nature. They want things that are larger than their own lives, and more romantic, and not necessarily of their own experiences.

Amplifying acoustic instruments more than a little is really cheating, and everything becomes a compromise.

It's amazing what some people read into songs.

When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.

I try to look for the good in everybody, regardless of the way they're labeled.

I have to remind myself not to set boundaries.

I want people to come to my music without prejudice. I want them to get the music first. And who I am isn't that important. If they like the songs to me that's a good thing.

But music can save your life sometimes. It probably saved me from working in a bank or something. That's a kind of salvation right there.

All audiences should be slightly off balance.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.

We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.