When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.

I'm always making a conscious effort to be viable and accessible.

The best thing you've got going for you is individuality.

It's fun to sing sad songs. And it's fun to listen to sad songs. Enjoyable. Satisfying. Something.

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.

I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.

As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself.

I like the idea of playing in unison with yourself.

I try to make songs visual and tactile to kind of put you into the action.

I just like to entertain myself by sitting down and writing songs.

I probably wrote three-quarters of the songs without an instrument in my hands.

You want the audience to be uncomfortable.

What I wanted to hear didn't exist, so it was necessary for me to go out and create it.

The thing I do, really, is a communication with audiences more than any achievement through records.

I think the reason kids get into drugs and smoking is they don't have anything to do.

Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists.

There's a part of me that wishes I'd never said one single solitary word on any subject publicly. Then I could have been the tortured poet, and there's so much mileage in that. But it's too late to stop now.

People want to hear about the extremes of human nature. They want things that are larger than their own lives, and more romantic, and not necessarily of their own experiences.

Amplifying acoustic instruments more than a little is really cheating, and everything becomes a compromise.

It's amazing what some people read into songs.

When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.

I try to look for the good in everybody, regardless of the way they're labeled.

I have to remind myself not to set boundaries.

I want people to come to my music without prejudice. I want them to get the music first. And who I am isn't that important. If they like the songs to me that's a good thing.

But music can save your life sometimes. It probably saved me from working in a bank or something. That's a kind of salvation right there.

All audiences should be slightly off balance.

I wouldn't like to see a chick of mine taking her clothes off and kissing a fellow on screen. And my girls must get very hurt when they see me doing it.

A drunkard would not give money to sober people. He said they would only eat it, and buy clothes and send their children to school with it.

Nothing to do but work, Nothing to eat but food, Nothing to wear out but clothes, To keep one from going nude.

Put off thy cares with thy clothes; so shall thy rest strengthen thy labor, and so thy labor sweeten thy rest.

I have a friend in New York who's a stylist and I went over to her place because she's got a lot of clothes. I basically ended up wearing most of it. So it's all stuff that I brought over.

I try not to be but I'm super-neurotic about diet. I'm neurotic about trying not to be neurotic! I'm like every other girl. I have to try really hard my whole life to try to be fit. And I'm super-vain. And I want to wear cute clothes.

I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.

Biographies are but the clothes and buttons of the man. The biography of the man himself cannot be written.

He was a tubby little chap who looked as if he had been poured into his clothes and had forgotten to say "when!"

If you look over the years, the styles have changed - the clothes, the hair, the production, the approach to the songs. The icing to the cake has changed flavors. But if you really look at the cake itself, it's really the same.

There's this idea that if you take your clothes off, somehow you must have loose morals.

I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.

Progressive societies outgrow institutions as children outgrow clothes.

I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.

It's so much harder to keep your clothes on than take them off in this business. Even in Exotica, they wanted more nudity, but I didn't feel comfortable.

I have never been a believer that nice clothes should only be for people with money.

I'd much rather be a woman than a man. Women can cry, they can wear cute clothes, and they're the first to be rescued off sinking ships.

Sex is a bad thing because it rumples the clothes.

Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.

Face it, I didn't become famous until I took my clothes off.

You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.

We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.

We should distrust any enterprise that requires new clothes.