Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists.

I'm always making a conscious effort to be viable and accessible.

The best thing you've got going for you is individuality.

It's fun to sing sad songs. And it's fun to listen to sad songs. Enjoyable. Satisfying. Something.

To stand up on a stage alone with an acoustic guitar requires bravery bordering on heroism. Bordering on insanity.

I'm glad there are a lot of guitar players pursuing technique as diligently as they possibly can, because it leaves this whole other area open to people like me.

As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself.

I like the idea of playing in unison with yourself.

I try to make songs visual and tactile to kind of put you into the action.

I just like to entertain myself by sitting down and writing songs.

I probably wrote three-quarters of the songs without an instrument in my hands.

You want the audience to be uncomfortable.

What I wanted to hear didn't exist, so it was necessary for me to go out and create it.

The thing I do, really, is a communication with audiences more than any achievement through records.

I think the reason kids get into drugs and smoking is they don't have anything to do.

Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists.

There's a part of me that wishes I'd never said one single solitary word on any subject publicly. Then I could have been the tortured poet, and there's so much mileage in that. But it's too late to stop now.

People want to hear about the extremes of human nature. They want things that are larger than their own lives, and more romantic, and not necessarily of their own experiences.

Amplifying acoustic instruments more than a little is really cheating, and everything becomes a compromise.

It's amazing what some people read into songs.

When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.

I try to look for the good in everybody, regardless of the way they're labeled.

I have to remind myself not to set boundaries.

I want people to come to my music without prejudice. I want them to get the music first. And who I am isn't that important. If they like the songs to me that's a good thing.

But music can save your life sometimes. It probably saved me from working in a bank or something. That's a kind of salvation right there.

All audiences should be slightly off balance.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.