Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was very difficult. You couldn't get her on the set; she didn't know the words.

I felt pretty comfortable with Westerns, apart from the fact I couldn't ride.

I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by that time I'd gone to California.

Kazan was an old friend, I met him in 1938. He picked up radio jobs for eating money, so I met him on a couple of radio shows. Later on I was in a play he directed.

Most movies are made today for teenage boys. Once in a while a good one comes along.

Many of my friends were blacklisted. America should be ashamed of it forever.

Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was very difficult. You couldn't get her on the set; she didn't know the words.

Hoods are good parts because they're always flashy and attract attention. If you've got any ability, you can use that as a stepping stone.

I loved Jack Ford. I got him in his later days, and he was a total tyrant and a total autocrat and an Irish drunk. But I had a great time.

Cheyenne Autumn was received not too successfully. I still think it was a very good movie. It was kinda Ford's apology for the way he had treated Indians in his past pictures.

Mankiewicz was a brilliant director.

John Ford was so funny that I couldn't wait to go to work in the morning.

I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.

Gary Cooper was a good friend. He was a great nature lover. He was like an American Indian, he knew every leaf that was turned over. It was an education to go for a walk with him.

Ford used to come to work in a big car with two Admiral's flags, on each side of the car. His assistant would be there with his accordion, playing, Hail to the Chief.

I think a performer should do his work and then shut up.

Anne Baxter was a very good actress, Donna Reid was great. You couldn't name an actress I wasn't crazy about.

A lot of actors said they hated the studio system, but I loved it. It was like a college; it was a great place to learn.

Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.

You have to compromise all the way. The only thing that counts is the result.

There was something about Marilyn. She couldn't act her way out of a bag, but she became an icon because something happened between her and the lens, and no one knows what it is.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

In other words, I have no truck for anyone who goes out and does an eclectic building.

Kind thoughts are rarer than either kind words or deeds. They imply a great deal of thinking about others. This in itself is rare. But they also imply a great deal of thinking about others without the thoughts being criticisms. This is rarer still.

Style is as much under the words as in the words. It is as much the soul as it is the flesh of a work.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

Duty, Honor, Country. Those three hallowed words reverently dictate what you ought to be, what you can be, what you will be.

So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

I think one's feelings waste themselves in words; they ought all to be distilled into actions which bring results.

Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves; vanity, to what we would have others think of us.

The President had every reason to believe that the text presented to him was sound... These 16 words should never have been included in the text written for the president.

They call it golf because all the other four-letter words were taken.

In fact, words are well adapted for description and the arousing of emotion, but for many kinds of precise thought other symbols are much better.

Eating words has never given me indigestion.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

If words are not things, or maps are not the actual territory, then, obviously, the only possible link between the objective world and the linguistic world is found in structure, and structure alone.

We will remember not the words of our enemies, but the silence of our friends.

It seems to me that politicians ought to use the same words as other people.

I still understand a few words in life, but I no longer think they make a sentence.

I think I am too interested in my own ideas to copy anyone else's, but I find that other people's imagery, the flow of language in the outside world, games with words, and ideas about relationships are all most important to me.

You need the words, you need the script, you need the material, you need the commitment, you need the passion, it's like we depend on writers, we depend on producers, directors depend on us and once things are in the divine order as they happen.

All books are either dreams or swords, you can cut, or you can drug, with words.

It does not require many words to speak the truth.

Gestures, in love, are incomparably more attractive, effective and valuable than words.

That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.