When I was still in my psychiatric residency training in New York City, I was subjected to the doctor draft of that time, during the early fifties, at the time of the Korean War.

Again, I was influenced by my father, who was very much an atheist and took pride in combating the traditional or orthodox forms of Judaism, which his parents and which my mother's parents were very steeped in.

I did the first study because I had been exposed to something that I took to be important and interesting - this thought reform process - in the military.

Sometimes it's said that psychiatrists are doctors who are frightened by the sight of blood. I might have fallen into that category.

I don't have the feeling that as a very young person I read books that absolutely made their mark on my mind.

The other thing that happened was my last military assignment - this was in the air force; I had enlisted in order to avoid being drafted as a private, and of course I only practiced medicine or psychiatry in the air force so I was never in any kind of violent combat.

But when I went to Hiroshima and began to study or just listen to people's descriptions of their work, it was quite clear they were talking about death all the time, about people dying all around them, about their own fear of death.

But I spent just two calendar years at Cornell University, though it was covering more than three years of work, and then went to medical school and did become interested in psychiatry, and even helped form a kind of psychiatry club in medical school.

Every adult in the world has some sense that he or she might be obliterated at any time by these weapons that we have created.

I'm a Brooklyn boy. I was born in Brooklyn, New York, and raised there, and spent most of my childhood there.

It was because of my deep concerns about nuclear weapons that I went to Hiroshima. And then I was astounded in Hiroshima to find that nobody had really studied it.

And I thought about the psychic numbing involved in strategic projections of using hydrogen bombs or nuclear weapons of any kind. And I also thought about ways in which all of us undergo what could be called the numbing of everyday life.

And I managed to arrange to get some research support and to stay in Hong Kong for another year and a half, interviewing people coming out of China, both Westerners and Chinese. And that was my first real research study on thought reform or so-called brainwashing.

I struggled with each of these studies and I was uncertain about what they meant, and often confused, and then I tried to put together what I was seeing.

One reason that I embarked on a study of Nazi doctors was that in this personal journey, I had the feeling increasingly that I did want to do a Holocaust study and that increasingly I wanted it to be of perpetrators, which I thought was more needed.

As a kid I was fascinated with sports, and I loved sports more than anything else. The first books I read were about sports, like books about Baseball Joe, as one baseball hero was called.

Yes, I've been very preoccupied with the survivor all through my work.

I learned a lot from Vietnam veterans, especially as some of them turned against their own war.

When I was still in my psychiatric residency training in New York City, I was subjected to the doctor draft of that time, during the early fifties, at the time of the Korean War.

That is, we are bombarded by all kinds of images and influences and we have to fend some of them off if we're to take in any of them, or to carry through just our ordinary day's work, or really deepen whatever we have to do or say.

What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.

I never quite envisioned myself a proper doctor under that white coat, but I was interested in the idea of healing and in the psychological dimension rather early on.

It may sound terrible, but I often say that the military saved me from a conventional life in the United States and I've never really thanked them for it, because I haven't exactly been pro-military in my work.

It is crystal clear to me that if Arabs put down a draft resolution blaming Israel for the recent earthquake in Iran it would probably have a majority, the U.S. would veto it and Britain and France would abstain.

Maybe the answer to Selective Service is to start everyone off in the army and draft them for civilian life as needed.

The following year, after I had prepared my draft, the Conference of the Interparliamentary Union at The Hague decided to set up a special commission to study the problem seriously.

This does make me very very careful, particularly in the second draft, to get it right, because you do feel that somebody in the future who may be extremely important for everybody, is going to have me behind them, and this is a responsibility, a huge one.

Rather than waiting to restore fiscal responsibility after we pass legislation, we must work to ensure we remain committed to it as we draft legislation.

Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.

I don't fiddle or edit or change while I'm going through that first draft.

I've never shown anybody a draft of anything.

After I've sent my revised draft to my agent and editor, they suggest more improvement sand again, this revision phase can take anywhere from a few hours to a few months.

Generally I finish a first draft in 2-6 months, then I set it aside for a while so that when I come back to it I can read it with fresh eyes and figure out how to improve it.

The Iraq war was fought by one-half of one percent of us. And unless we were part of that small group or had a relative who was, we went about our lives as usual most of the time: no draft, no new taxes, no changes. Not so for the small group who fought the war and their families.

I was a pitcher, shortstop and outfielder, and the Yankees tried to sign me out of high school as a first-round draft pick in 1981. I turned them down to go to college.

I don't have any respect at all for the scum-bags who went to Canada to avoid the draft or to avoid doing their fair share.

In the original draft I was 27 and Peter was 55 in the script. That's not the same as a guy in his 40s and a dad in the end of his 70s. It's a different point in both our lives.

Not until the final draft do I force myself to remember that I'm going to have to think about how it will affect other people.

Conservatives truly love America and support the armed forces, while liberals are unpatriotic draft dodgers.

I remember the day I found out my draft status. I was really floored and kind of staggered around in a daze. It just hadn't occurred to me that I could end up in Vietnam.

The Indians could not undertake any widespread cultivation of the plains not only because they lacked iron tools but also because they had no draft animals.

For me the writing, when I'm going to direct it myself, is really just the first draft, and I don't change it very much; I only change it on average about two lines per movie.

Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research.

In the draft plan, we're looking at recycling 20 percent of our garbage by 2010.

The draft is white people sending black people to fight yellow people to protect the country they stole from red people.

So I'm going to tell you, it's going to be a good year. There are good players all over this country, and it is our job as a scouting department to find them, draft them, sign them, develop them, and help us to continue to win championships. So it's going to be a good year.

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

Fox came to us with the concept for ICE AGE and they came to us with the first draft of the script. They also gave us a mandate to make it into a comedy from what was previously a rather dramatic action concept.

No one uses a ribbon typewriter any more, but your final draft is not the time to try to wring a few more sheets out of your inkjet cartridge.