Yes, I've been very preoccupied with the survivor all through my work.

Again, I was influenced by my father, who was very much an atheist and took pride in combating the traditional or orthodox forms of Judaism, which his parents and which my mother's parents were very steeped in.

I did the first study because I had been exposed to something that I took to be important and interesting - this thought reform process - in the military.

Sometimes it's said that psychiatrists are doctors who are frightened by the sight of blood. I might have fallen into that category.

I don't have the feeling that as a very young person I read books that absolutely made their mark on my mind.

The other thing that happened was my last military assignment - this was in the air force; I had enlisted in order to avoid being drafted as a private, and of course I only practiced medicine or psychiatry in the air force so I was never in any kind of violent combat.

But when I went to Hiroshima and began to study or just listen to people's descriptions of their work, it was quite clear they were talking about death all the time, about people dying all around them, about their own fear of death.

But I spent just two calendar years at Cornell University, though it was covering more than three years of work, and then went to medical school and did become interested in psychiatry, and even helped form a kind of psychiatry club in medical school.

Every adult in the world has some sense that he or she might be obliterated at any time by these weapons that we have created.

I'm a Brooklyn boy. I was born in Brooklyn, New York, and raised there, and spent most of my childhood there.

It was because of my deep concerns about nuclear weapons that I went to Hiroshima. And then I was astounded in Hiroshima to find that nobody had really studied it.

And I thought about the psychic numbing involved in strategic projections of using hydrogen bombs or nuclear weapons of any kind. And I also thought about ways in which all of us undergo what could be called the numbing of everyday life.

And I managed to arrange to get some research support and to stay in Hong Kong for another year and a half, interviewing people coming out of China, both Westerners and Chinese. And that was my first real research study on thought reform or so-called brainwashing.

I struggled with each of these studies and I was uncertain about what they meant, and often confused, and then I tried to put together what I was seeing.

One reason that I embarked on a study of Nazi doctors was that in this personal journey, I had the feeling increasingly that I did want to do a Holocaust study and that increasingly I wanted it to be of perpetrators, which I thought was more needed.

As a kid I was fascinated with sports, and I loved sports more than anything else. The first books I read were about sports, like books about Baseball Joe, as one baseball hero was called.

Yes, I've been very preoccupied with the survivor all through my work.

I learned a lot from Vietnam veterans, especially as some of them turned against their own war.

When I was still in my psychiatric residency training in New York City, I was subjected to the doctor draft of that time, during the early fifties, at the time of the Korean War.

That is, we are bombarded by all kinds of images and influences and we have to fend some of them off if we're to take in any of them, or to carry through just our ordinary day's work, or really deepen whatever we have to do or say.

What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.

I never quite envisioned myself a proper doctor under that white coat, but I was interested in the idea of healing and in the psychological dimension rather early on.

It may sound terrible, but I often say that the military saved me from a conventional life in the United States and I've never really thanked them for it, because I haven't exactly been pro-military in my work.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

Work is the meat of life, pleasure the dessert.

This is God's work. Therefore it must be triumphant. There is no place for misgiving or despondency.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

I am not stopped by low funds, physical exhaustion, mental exhaustion, or temptations to stop and work on some other production that would be more financially rewarding.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

Corporate partners help UNICEF fund our programmes for children, advocate with us on their behalf, or facilitate our work through logistical, technical, research or supply support.

The productivity of work is not the responsibility of the worker but of the manager.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

I work to stay alive.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

Some people don't like competition because it makes them work harder, better.

Concentrate all your thoughts upon the work at hand. The sun's rays do not burn until brought to a focus.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Style is as much under the words as in the words. It is as much the soul as it is the flesh of a work.

Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.

I am always successful in my work.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

Much of my work has come from being lazy.

People are not perfect... very often the relationships that are strongest are those where people have worked through big crises, but they've had to work through them. So the challenge to us is to work through that.

Evidently the merit depends on the result of the work.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

Even if I don't have a job, I work on plays and scenes.