My son has been a class clown and it sort of ran in the family.

I was a class clown.

In the fifties I had dreams about touching a naked woman and she would turn to bronze or the dream about hot dogs chasing donuts through the Lincoln Tunnel.

The Broad research center represents the highest quality model of what Proposition 71 should be funding.

My son has been a class clown and it sort of ran in the family.

But I think the other is a little more like bullfighting, a little more daring and although I appreciate good acting and I liked being versatile my whole career, it kept me working.

So it took me five years because in the interim I have been doing a lot of personal appearances and movies and some television series that went into the plumbing and I stopped writing for a while.

And the only studies were - Rodney Dangerfield was my mentor and he was my Yale drama school for comedy.

But to do it professionally is a quantum leap difference and my father had to be persuaded by these kind of Ivy League professors that I should go to the Yale Drama School, another one of the stories in there.

Regis and I were inducted into the original Bronx Walk of Fame.

Comedy is still alive, and there are still funny people. Jews are still overrepresented in comedy and psychiatry and underrepresented in the priesthood. That immigrant Jewish humor is still with us.

I did the first HBO special ever in 1975 at Haverford College. Cable was new then: HBO was a Time-Life entity, with maybe 400,000 or 500,000 subscribers and maybe 50 employees.

I guess I'm pleased and proud of the respect of my peers, and that when I disappear from the scene or from this earth, I will have left a mark. They'll say, 'He did it well.' I like being funny; it opens people up.

I have a work-out regime; I am not a maniac. It sounds cliche, but stand-up comedy, doing a one-man show, helps keep me young, and yes, it is exhausting, but I don't collapse.

I have what we call a 'symphony act.' I'm the only comedian, I think, in the country that does it.

I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.

I was a class clown. My father was a class clown. My son has been a class clown, and it sort of ran in the family.

I was brought up at 3525 Decatur Avenue, in the north Bronx, right next to Woodlawn Cemetery.

I wrote my book 'The Amorous Busboy Of Decatur Avenue' completely like a writer does, writing it down, re-writing everything. But in my stand-up, I improvise initially, never questioning it too closely.

I'm not against profanity. It's an important part of the language when used properly.

My 1974 album 'Mind Over Matter' was a detailed thing about Watergate. I always had some righteous indignation.

One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.

The '50s were terrifying with nuclear bomb stuff but boring in a social way, and then the '60s were happening, and remember, there was no AIDS.

There are certain families who absolutely incorporate their nanny as part of the family, and there are other people, and there are codes for this, when they call in, they say, 'I am really not looking for a friend.' It is clear they will not be members of the family.

There is a cliche that probably has some anecdotal evidence on the side that comedians are very depressed people, but that's because no one is ever going to seem as funny in a normal conversation as compared to when they're up there onstage in the spotlight making a huge audience keel over with laughter.

What makes a good nanny? A good nanny is someone who really wants to do the job. Someone who loves children, who really values what she does and, of course, is valued by her employer.

When I started, there was no comedy community, no comedy industry; there were comedians.

I'm getting a wider circle of fans now. More women, more middle class people.

The best thanks we could offer those who went before and raised the Irish working class from their knees was to press forward with determination and enthusiasm towards the ultimate goal of their efforts, a Co-operative Commonwealth for Ireland.

Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.

In economic panics throughout history, the wiping out of the savings accounts of lower earners and the middle class has often led to social revolution, sometimes violent upheavals.

It is the tendency of the social burdens to crush out the middle class, and to force society into an organization of only two classes, one at each social extreme.

I once said, "We will bury you," and I got into trouble with it. Of course we will not bury you with a shovel. Your own working class will bury you.

I certainly did feel inferior. Because of class. Because of strength. Because of height. I guess if I'd been able to hit somebody in the nose, I wouldn't have been a comic.

I grew up in Michigan, in a very small town, Centreville. In my graduating class, I had like 92 people.

These interests of the workers, as the exploited and oppressed, class of society, are the same in all countries.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

At one point in college I was so shy that I'd drop out of a class if asked to speak in front of other people.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

After some minor pieces of theoretical study that I worked on, a student in my statistical mechanics class brought to my attention a problem in polyelectrolytes.

There is no class so pitiably wretched as that which possesses money and nothing else.

I was a class clown.

I made a living out of being a class clown.

Show class, have pride, and display character. If you do, winning takes care of itself.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.

Making my class laugh and getting in trouble. I was the class clown.

If there's an enduring theme in my work, it's probably the effects of class on American life.

In my last year of school, I was voted Class Optimist and Class Pessimist. Looking back, I realize I was only half right.