I didn't care too much for ballet, because you had to be more disciplined, and you sort of looked like everyone else. It required a certain kind of conformity that I didn't feel like I wanted to do.

I liked Latin, I like languages, I liked all the myths, and the Roman tales that we were required to translate in Latin, and all these interesting people who were never quite what they thought they would be or seemed to be.

There is pain and sacrifice in everyone's world. That's why, when I was dancing, I had no pain.

So dancing was not something I had a great desire to do.

When you are on stage, you don't see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.

I used to love to play dress-up, where you get your mother's or your grandmother's dresses and high heels.

I could work out a lot of my emotions by going to class and dancing.

I didn't have any doubts about my choice of career, but I had constant doubts about my ability, yes.

I had two sisters, and we would love to get dressed up and pretend that we were chic, sophisticated ladies. And I think that was a great sort of preparation, in a way.

Of course, in the art class, I was the model.

And I just thought, this is what I want to be. And I knew that dancing would be my chosen profession.

I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer.

As soon as I hear music, something in me starts to vibrate.

But what was my motivation was music, and the fact that I love to move around. I'm always moving around.

You don't learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don't really learn from that. You learn from trial and error, trial and error, all the time.

I was very much of a tomboy.

On the other hand, I think it is wonderful for everyone to take ballet classes, at any age. It gives you a discipline, it gives you a place to go. It gives you some control in your life.

Once I started dancing, I was not the spoiled brat or the rebellious child that I was as a child.

It's ungrateful to be wishing you were doing something else at the moment you are living. You haven't lived in the moment that you are really living, you are wishing you were somewhere else.

I didn't care too much for ballet, because you had to be more disciplined, and you sort of looked like everyone else. It required a certain kind of conformity that I didn't feel like I wanted to do.

I liked to read but, being a dancer, I didn't have a lot of time to read.

The particular ballet was not so important as the fact that I was physically healthy, and capable of getting out there and dancing as often as possible.

That the work involved, the willingness to take chances, the commitment, the opportunity to get on stage and make people happy, was more important than becoming famous, or even what I was dancing.

The body can do amazing things in a situation when it is really called for.

Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.

In fact, ballet companies did not exist in the Midwest when I was a child.

I learned to love dance for its own sake.

I loved tests because it was another form of competing, a healthy competition.

I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.

When you get on stage, you can be anything. You are removed from reality in a way, the real world.

I liked tap, because I liked hearing the results of my movements.

I'm thought of as a cool, unemotional dancer, but inside I'm not.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I wanted to be a ballet teacher.

Classical ballet will never die.

I've got no plans to be a ballet dancer at the moment.

When life takes me on a new journey, I simply remember the smile my first ballet recital put on my face and I move forward.

Ballet is sort of a mystery to me. And I don't want to unravel that mystery.

The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15.

My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing.

The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.

My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.

However, the moral center of New York City, I believe, is the New York City Ballet.

I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.

I do take class because I still dance, and yes, I do slip into class with the Royal Ballet from time to time.

And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.

It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.

For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.

When other little girls wanted to be ballet dancers I kind of wanted to be a vampire.